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T</a> <a title="S&amp;C 2016 06 (June 2016) page 45" href="http://viewer.zmags.com/publication/0656c8a9?page=45"> </a> <a title="S&amp;C 2016 06 (June 2016) page 46" href="http://viewer.zmags.com/publication/0656c8a9?page=46"> The stage can accommodate as many as 250 perfo</a> <a title="S&amp;C 2016 06 (June 2016) page 47" href="http://viewer.zmags.com/publication/0656c8a9?page=47"> recital hall,” she said, “but it would only fit 75</a> <a title="S&amp;C 2016 06 (June 2016) page 48" href="http://viewer.zmags.com/publication/0656c8a9?page=48"> Enhance the experience. Professional-Grad</a> <a title="S&amp;C 2016 06 (June 2016) page 49" href="http://viewer.zmags.com/publication/0656c8a9?page=49"> ing that it’s a single-height space,” he said. “I</a> <a title="S&amp;C 2016 06 (June 2016) page 50" href="http://viewer.zmags.com/publication/0656c8a9?page=50"> Performance Matters. Parallax Delivers. Superior </a> <a title="S&amp;C 2016 06 (June 2016) page 51" href="http://viewer.zmags.com/publication/0656c8a9?page=51"> ‘go away’.” Thus, the left/right arrays were to b</a> <a title="S&amp;C 2016 06 (June 2016) page 52" href="http://viewer.zmags.com/publication/0656c8a9?page=52"> than a musical theater ap- proach to front fill. 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