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Best regards
Zmags
FOUR
IN MAINE
Kazumi Hoshino
Jesse Salisbury
Warren Seelig
Aaron T Stephan
SITE SPECIFIC
FARNSWORTH
ART| MUSEUM
Rockland, Maine
FOUR
IN MAINE
Kazumi Hoshino
Jesse Salisbury
Warren Seelig
Aaron T Stephan
SITE SPECIFIC
with an introductory essay by
Michael K. Komanecky
3
4
CONTENTS
Director's Note 7
Introduction to the exhibition 9
Section One—Kazumi Hoshino 13
Artist's statement 15
Interview 17
Work 21
Section Two—Jesse Salisbury 29
Introduction 31
Interview 33
Work
FOUR IN MAINE Kazumi Hoshino Jesse Salisbury War
FOUR IN MAINE Kazumi Hoshino Jesse Salisbury War
4
CONTENTS Director's Note
6
DIRECTOR'S NOTE Christopher J. Brownawell Executi
8
INTRODUCTION Michael K. Komanecky Chief Curator,
10
FOUR IN MAINE Kazumi Hoshino Jesse Salisbury War
12
FOUR IN MAINE Kazumi Hoshino Jesse Salisbury War
14
ARTIST'S STATEMENT Kazumi Hoshino “Compo
16
INTERVIEW February 2, 2010 Steuben, Maine
KH: No ... I do a drawing but I do not hold to th
19
20
WORK Kazumi Hoshino
Foreground: Kazumi Hoshino, Composition 2 (Kosei
Background: Kazumi Hoshino, Composition (Kosei),
Kazumi Hoshino, Composition (Kosei), 2010; Jonesb
Kazumi Hoshino, Composition 2 (Kosei 2), 2010; Su
Above and right: Kazumi Hoshino, The Story Within
27
28
FOUR IN MAINE Kazumi Hoshino Jesse Salisbury War
30
ARTIST'S STATEMENT For this exhibition I
32
INTERVIEW Jesse Salisbury conducted by Angela Wal
carving a lot away. But when I began experimentin
JS: Yes, it's a puzzle JB: You likened split
JB: Is basalt a volcanic rock?
I think there is a really good private market for
JS: Yeah, definitely. Hoshi's work is a lot dif
JB: [to KH] I have a question for you. Could yo
40
WORK Jesse Salisbury
Foreground: Jesse Salisb
43
Foreground: Jesse Salisbury, Link, 2010; Sullivan
Foreground: Jesse Salisbury, Anatomy of a Boulder
Foreground: Jesse Salisbury, Anatomy of a Bo
47
48
FOUR IN MAINE Kazumi Hoshino Jesse Salisbury War
50
ARTIST'S STATEMENT Warren Seelig Oculus is
52
INTERVIEW March 27, 2010 Steuben, Maine It
thinking about him and his naturalist way of thin
and spinning and weaving, when silk was really a
cotton and wool in from one end of the building t
been in Maine as a kid with some relatives but I
matters … I mean we continue to teach about the w
The Fabric Workshop in Philadelphia was really im
WS: Fiber ... I have been fascinated with this ar
WS: Yes, and when I came back to the Textile Coll
62
WORK Warren Seelig
64
Warren Seelig, Oculus. 2010; monofilament install
66
Warren Seelig, Oculus. 2010; monofilament install
Warren Seelig, Oculus. 2010; monofilament install
Warren Seelig, Oculus. 2010; monofilament install
70
FOUR IN MAINE Kazumi Hoshino Jesse Salisbury War
72
ARTIST'S STATEMENT Aaron T Stephan “Architec
74
INTERVIEW December 2009 and January 2010 Aaro
another age, and it's also an icosahedron, a twen
JB: I notice that you have a number of your own
AS: This is for the west side of Portland. It's e
publicly funded educational institution ... Somet
80
WORK Aaron T Stephan
82
Aaron T Stephan, 30 Columns, 2010; mixed media, 1
Aaron T Stephan, 30 Columns, 2010; mixed media, 1
Aaron T Stephan, 30 Columns, 2010; mixed media, 1
Aaron T Stephan, 30 Columns, 2010; mixed media, 1
87
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Four in Maine: Site Specific April 17–December 2
90