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<br /> Concert Halls · Theatres · Convention Centres · Cinemas · Arenas<br /> Annual 2012<br /> Stone rose<br /> opera house blossoms in Guangzhou<br /> Zaha Hadid's pebble-inspired<br /> Inside:<br /> Frank Gehry's brave New World<br /> The Mariinsky, St Petersburg<br /> Musical youth: attracting new audiences<br /> A Canterbury tale: Marlowe Theatre<br /> Simplicity in Motion<br /> prolyte Group HQ prolyte products UK ltd prolyte products GmbH prolyte products romania<br /> Leek, Netherlands Wakefield, England Emsdetten, Germany Slatina, Romania<br /> info@prolyte.com info@prolyte.co.uk info@prolyte.eu info@prolyte.ro<br /> www.prolyte.coM<br /> Contents<br /> Iwan Baan<br /> contents<br /> 4 Auditoria loves…<br /> …the Kauffman Center for the Performing<br /> Arts in Kansas City, Missouri<br /> 6 Face value<br /> The Ambassad<a title="Auditoria Annual 2012 page 1" href="http://viewer.zmags.com/publication/3f12d3a9?page=1"> Concert Halls · Theatres · Convention Centres · C</a> <a title="Auditoria Annual 2012 page 2" href="http://viewer.zmags.com/publication/3f12d3a9?page=2"> Simplicity in Motion prolyte Group </a> <a title="Auditoria Annual 2012 page 3" href="http://viewer.zmags.com/publication/3f12d3a9?page=3"> Contents Iwan Baan contents 4 Auditoria love</a> <a title="Auditoria Annual 2012 page 4" href="http://viewer.zmags.com/publication/3f12d3a9?page=4"> CONTENTS Rui Dias-Aidos contents 84 Visual eff</a> <a title="Auditoria Annual 2012 page 5" href="http://viewer.zmags.com/publication/3f12d3a9?page=5"> 150 Ringing the changes Kinetic architectural app</a> <a title="Auditoria Annual 2012 page 6" href="http://viewer.zmags.com/publication/3f12d3a9?page=6"> UPfront Author </a> <a title="Auditoria Annual 2012 page 7" href="http://viewer.zmags.com/publication/3f12d3a9?page=7"> UPFRONT Auditoria loves… …the Kauffman Center </a> <a title="Auditoria Annual 2012 page 8" href="http://viewer.zmags.com/publication/3f12d3a9?page=8"> InTervIeW Nick PoTTer Q&A The Ambassador Theatre </a> <a title="Auditoria Annual 2012 page 9" href="http://viewer.zmags.com/publication/3f12d3a9?page=9"> IntervIew Simon annand Alex Ferns (Billis) and </a> <a title="Auditoria Annual 2012 page 10" href="http://viewer.zmags.com/publication/3f12d3a9?page=10"> new world Symphony BriaN liBBy rui dias-aidos W</a> <a title="Auditoria Annual 2012 page 11" href="http://viewer.zmags.com/publication/3f12d3a9?page=11"> new world Symphony Brave New W orld F </a> <a title="Auditoria Annual 2012 page 12" href="http://viewer.zmags.com/publication/3f12d3a9?page=12"> NeW World SymphoNy New World Center (clo</a> <a title="Auditoria Annual 2012 page 13" href="http://viewer.zmags.com/publication/3f12d3a9?page=13"> new world symphony tomas loewy Emilio Collavino </a> <a title="Auditoria Annual 2012 page 14" href="http://viewer.zmags.com/publication/3f12d3a9?page=14"> FREE SUBSCRIPTION/READER ENQUIRY SERVICE </a> <a title="Auditoria Annual 2012 page 15" href="http://viewer.zmags.com/publication/3f12d3a9?page=15"> commission was initially set to be designed by Ge</a> <a title="Auditoria Annual 2012 page 16" href="http://viewer.zmags.com/publication/3f12d3a9?page=16"> new world syMphony Claudia Uribe the exterior o</a> <a title="Auditoria Annual 2012 page 17" href="http://viewer.zmags.com/publication/3f12d3a9?page=17"> Creating spaces to perform, study, and practice t</a> <a title="Auditoria Annual 2012 page 18" href="http://viewer.zmags.com/publication/3f12d3a9?page=18"> GUANGZHOU OPERA HOUSE emma pomfret iwan Baan 16</a> <a title="Auditoria Annual 2012 page 19" href="http://viewer.zmags.com/publication/3f12d3a9?page=19"> GUANGZHOU OPERA HOUSE The Guangzhou Opera Hous</a> <a title="Auditoria Annual 2012 page 20" href="http://viewer.zmags.com/publication/3f12d3a9?page=20"> GUANGZHOU OPERA HOUSE Virgile Simon Bertrand 18</a> <a title="Auditoria Annual 2012 page 21" href="http://viewer.zmags.com/publication/3f12d3a9?page=21"> For Guangzhou’s municipal planners, this cu</a> <a title="Auditoria Annual 2012 page 22" href="http://viewer.zmags.com/publication/3f12d3a9?page=22"> GUANGZHOU OPERA HOUSE panels were misalig</a> <a title="Auditoria Annual 2012 page 23" href="http://viewer.zmags.com/publication/3f12d3a9?page=23"> Iwan Baan GUANGZHOU OPERA HOUSE I I</a> <a title="Auditoria Annual 2012 page 24" href="http://viewer.zmags.com/publication/3f12d3a9?page=24"> guangZhOu OPERa hOuSE Iwan Baan Guangzhou has a</a> <a title="Auditoria Annual 2012 page 25" href="http://viewer.zmags.com/publication/3f12d3a9?page=25"> gentinA AustrAliA Australia Council • Aus</a> <a title="Auditoria Annual 2012 page 26" href="http://viewer.zmags.com/publication/3f12d3a9?page=26"> Marlowe TheaTre mark shenton </a> <a title="Auditoria Annual 2012 page 27" href="http://viewer.zmags.com/publication/3f12d3a9?page=27"> Marlowe theatre the uncompromisingly mod</a> <a title="Auditoria Annual 2012 page 28" href="http://viewer.zmags.com/publication/3f12d3a9?page=28"> marlowe theatre although</a> <a title="Auditoria Annual 2012 page 29" href="http://viewer.zmags.com/publication/3f12d3a9?page=29"> Made in italy Italian seating designer and manufa</a> <a title="Auditoria Annual 2012 page 30" href="http://viewer.zmags.com/publication/3f12d3a9?page=30"> Marlowe TheaTre glass-fro</a> <a title="Auditoria Annual 2012 page 31" href="http://viewer.zmags.com/publication/3f12d3a9?page=31"> THE NEW STANDARD IN DIMMING Universal Cabinet Mix</a> <a title="Auditoria Annual 2012 page 32" href="http://viewer.zmags.com/publication/3f12d3a9?page=32"> NEW MARIINSKY THEATRE His</a> <a title="Auditoria Annual 2012 page 33" href="http://viewer.zmags.com/publication/3f12d3a9?page=33"> NEW MARIINSKY THEATRE W </a> <a title="Auditoria Annual 2012 page 34" href="http://viewer.zmags.com/publication/3f12d3a9?page=34"> NEW MARIINSKY THEATRE conservative design</a> <a title="Auditoria Annual 2012 page 35" href="http://viewer.zmags.com/publication/3f12d3a9?page=35"> architects have given the new Mariinsky a contemp</a> <a title="Auditoria Annual 2012 page 36" href="http://viewer.zmags.com/publication/3f12d3a9?page=36"> NEW mariiNsky THEaTrE </a> <a title="Auditoria Annual 2012 page 37" href="http://viewer.zmags.com/publication/3f12d3a9?page=37"> NEW mariiNsky THEaTrE “Gergiev’s not interested </a> <a title="Auditoria Annual 2012 page 38" href="http://viewer.zmags.com/publication/3f12d3a9?page=38"> royal welsh college of music & drama theatre proj</a> <a title="Auditoria Annual 2012 page 39" href="http://viewer.zmags.com/publication/3f12d3a9?page=39"> royal welsh college of music & drama future </a> <a title="Auditoria Annual 2012 page 40" href="http://viewer.zmags.com/publication/3f12d3a9?page=40"> royal welsh college of Music & draMa nick Guttri</a> <a title="Auditoria Annual 2012 page 41" href="http://viewer.zmags.com/publication/3f12d3a9?page=41"> Nick Guttridge/BFLS Meanwhile the bright and ele</a> <a title="Auditoria Annual 2012 page 42" href="http://viewer.zmags.com/publication/3f12d3a9?page=42"> royal welsh college oF music & drama BFLS The c</a> <a title="Auditoria Annual 2012 page 43" href="http://viewer.zmags.com/publication/3f12d3a9?page=43"> ORIGINAL BPACK RETRACTABLE </a> <a title="Auditoria Annual 2012 page 44" href="http://viewer.zmags.com/publication/3f12d3a9?page=44"> new audiences Brian liBBy </a> <a title="Auditoria Annual 2012 page 45" href="http://viewer.zmags.com/publication/3f12d3a9?page=45"> new Audiences Performance venues are </a> <a title="Auditoria Annual 2012 page 46" href="http://viewer.zmags.com/publication/3f12d3a9?page=46"> New audieNces Yet for a host of aud</a> <a title="Auditoria Annual 2012 page 47" href="http://viewer.zmags.com/publication/3f12d3a9?page=47"> new audiences The arT of diversifying Incr</a> <a title="Auditoria Annual 2012 page 48" href="http://viewer.zmags.com/publication/3f12d3a9?page=48"> new audiences although the </a> <a title="Auditoria Annual 2012 page 49" href="http://viewer.zmags.com/publication/3f12d3a9?page=49"> active members behind the scenes to deepen their </a> <a title="Auditoria Annual 2012 page 50" href="http://viewer.zmags.com/publication/3f12d3a9?page=50"> irving convention center steve traiman </a> <a title="Auditoria Annual 2012 page 51" href="http://viewer.zmags.com/publication/3f12d3a9?page=51"> IRVING CONVENTION CENTER New metal Boasting a dr</a> <a title="Auditoria Annual 2012 page 52" href="http://viewer.zmags.com/publication/3f12d3a9?page=52"> irving convention center W </a> <a title="Auditoria Annual 2012 page 53" href="http://viewer.zmags.com/publication/3f12d3a9?page=53"> irving convention center </a> <a title="Auditoria Annual 2012 page 54" href="http://viewer.zmags.com/publication/3f12d3a9?page=54"> irving convention center no maintenance a</a> <a title="Auditoria Annual 2012 page 55" href="http://viewer.zmags.com/publication/3f12d3a9?page=55"> Los AngeLes convention center FeBrUArY 1. 2.</a> <a title="Auditoria Annual 2012 page 56" href="http://viewer.zmags.com/publication/3f12d3a9?page=56"> rodney j. smith BexaR County PeRfoRming aRtS Cent</a> <a title="Auditoria Annual 2012 page 57" href="http://viewer.zmags.com/publication/3f12d3a9?page=57"> tribute </a> <a title="Auditoria Annual 2012 page 58" href="http://viewer.zmags.com/publication/3f12d3a9?page=58"> architecture ThA ArchiTecTUre Phoenix rising </a> <a title="Auditoria Annual 2012 page 59" href="http://viewer.zmags.com/publication/3f12d3a9?page=59"> year. The reconstructed theatre provided the coll</a> <a title="Auditoria Annual 2012 page 60" href="http://viewer.zmags.com/publication/3f12d3a9?page=60"> arChiteCtUre tha architecture University of</a> <a title="Auditoria Annual 2012 page 61" href="http://viewer.zmags.com/publication/3f12d3a9?page=61"> architecture this spread: Cesar rubio The</a> <a title="Auditoria Annual 2012 page 62" href="http://viewer.zmags.com/publication/3f12d3a9?page=62"> Architecture lmn ArChiTeCTS Everyone in mind The </a> <a title="Auditoria Annual 2012 page 63" href="http://viewer.zmags.com/publication/3f12d3a9?page=63"> architecture auditoria annual 2012 61</a> <a title="Auditoria Annual 2012 page 64" href="http://viewer.zmags.com/publication/3f12d3a9?page=64"> architecture lmn architects </a> <a title="Auditoria Annual 2012 page 65" href="http://viewer.zmags.com/publication/3f12d3a9?page=65"> FREE SUBJECT AUTHOR SUBSCRIPTION/READER ENQUIRY </a> <a title="Auditoria Annual 2012 page 66" href="http://viewer.zmags.com/publication/3f12d3a9?page=66"> design HGA ArCHIteCts And enGIneers T </a> <a title="Auditoria Annual 2012 page 67" href="http://viewer.zmags.com/publication/3f12d3a9?page=67"> desiGn Valley Performing Arts Center (cl</a> <a title="Auditoria Annual 2012 page 68" href="http://viewer.zmags.com/publication/3f12d3a9?page=68"> desiGn HGA ArcHitects And enGineers </a> <a title="Auditoria Annual 2012 page 69" href="http://viewer.zmags.com/publication/3f12d3a9?page=69"> Owner CSU Northridge 18111 Nordho Street Northri</a> <a title="Auditoria Annual 2012 page 70" href="http://viewer.zmags.com/publication/3f12d3a9?page=70"> design Arup Youth </a> <a title="Auditoria Annual 2012 page 71" href="http://viewer.zmags.com/publication/3f12d3a9?page=71"> design </a> <a title="Auditoria Annual 2012 page 72" href="http://viewer.zmags.com/publication/3f12d3a9?page=72"> arup + paul McMullin deSign arup between audienc</a> <a title="Auditoria Annual 2012 page 73" href="http://viewer.zmags.com/publication/3f12d3a9?page=73"> Han Gang Art Island, Seoul, South Korea Arup is p</a> <a title="Auditoria Annual 2012 page 74" href="http://viewer.zmags.com/publication/3f12d3a9?page=74"> dEsign artec A m</a> <a title="Auditoria Annual 2012 page 75" href="http://viewer.zmags.com/publication/3f12d3a9?page=75"> design operations over a period of time, </a> <a title="Auditoria Annual 2012 page 76" href="http://viewer.zmags.com/publication/3f12d3a9?page=76"> deSign artec the auditori</a> <a title="Auditoria Annual 2012 page 77" href="http://viewer.zmags.com/publication/3f12d3a9?page=77"> e sound is really beautiful . . . I think it cou</a> <a title="Auditoria Annual 2012 page 78" href="http://viewer.zmags.com/publication/3f12d3a9?page=78"> SeAtiNg Poltrona Frau Science and art Working wit</a> <a title="Auditoria Annual 2012 page 79" href="http://viewer.zmags.com/publication/3f12d3a9?page=79"> seating </a> <a title="Auditoria Annual 2012 page 80" href="http://viewer.zmags.com/publication/3f12d3a9?page=80"> seAting poltrona frau and materials: wit</a> <a title="Auditoria Annual 2012 page 81" href="http://viewer.zmags.com/publication/3f12d3a9?page=81"> seATing A flAir for de Beyond the façades </a> <a title="Auditoria Annual 2012 page 82" href="http://viewer.zmags.com/publication/3f12d3a9?page=82"> Staging wenger corp Unsung heroes Flexible stage </a> <a title="Auditoria Annual 2012 page 83" href="http://viewer.zmags.com/publication/3f12d3a9?page=83"> staging Cerritos Center for the Performing arts </a> <a title="Auditoria Annual 2012 page 84" href="http://viewer.zmags.com/publication/3f12d3a9?page=84"> StAging wenger corp Leon Memorial Recital Hall i</a> <a title="Auditoria Annual 2012 page 85" href="http://viewer.zmags.com/publication/3f12d3a9?page=85"> ENHANCE THE ACOUSTICS AND AESTHETICS OF ANY VENUE</a> <a title="Auditoria Annual 2012 page 86" href="http://viewer.zmags.com/publication/3f12d3a9?page=86"> seatIng DauphiN NOrth amErica Visual effect Offe</a> <a title="Auditoria Annual 2012 page 87" href="http://viewer.zmags.com/publication/3f12d3a9?page=87"> seating </a> <a title="Auditoria Annual 2012 page 88" href="http://viewer.zmags.com/publication/3f12d3a9?page=88"> sEating dauphin north america </a> <a title="Auditoria Annual 2012 page 89" href="http://viewer.zmags.com/publication/3f12d3a9?page=89"> always the best seat... Find the perfect seat fo</a> <a title="Auditoria Annual 2012 page 90" href="http://viewer.zmags.com/publication/3f12d3a9?page=90"> LigHting GLobAL DEsiGn soLUTions Light fantastic </a> <a title="Auditoria Annual 2012 page 91" href="http://viewer.zmags.com/publication/3f12d3a9?page=91"> Lighting </a> <a title="Auditoria Annual 2012 page 92" href="http://viewer.zmags.com/publication/3f12d3a9?page=92"> LigHting Global DesiGn solutions Audiences at Ha</a> <a title="Auditoria Annual 2012 page 93" href="http://viewer.zmags.com/publication/3f12d3a9?page=93"> GDS Straight forward thinking The </a> <a title="Auditoria Annual 2012 page 94" href="http://viewer.zmags.com/publication/3f12d3a9?page=94"> LIGHTING ADB LIGHTING TECHNOLOGIES Light ody</a> <a title="Auditoria Annual 2012 page 95" href="http://viewer.zmags.com/publication/3f12d3a9?page=95"> lighting A thens</a> <a title="Auditoria Annual 2012 page 96" href="http://viewer.zmags.com/publication/3f12d3a9?page=96"> lighTing adb lighting technologies </a> <a title="Auditoria Annual 2012 page 97" href="http://viewer.zmags.com/publication/3f12d3a9?page=97"> Los AngeLes convention center FeBrUArY 1. 2.</a> <a title="Auditoria Annual 2012 page 98" href="http://viewer.zmags.com/publication/3f12d3a9?page=98"> Stage technology Prolyte Simplicity in motion De</a> <a title="Auditoria Annual 2012 page 99" href="http://viewer.zmags.com/publication/3f12d3a9?page=99"> Stage technology the Bolshoi performer fly syste</a> <a title="Auditoria Annual 2012 page 100" href="http://viewer.zmags.com/publication/3f12d3a9?page=100"> stAge techNoLogy prolyte (Above) </a> <a title="Auditoria Annual 2012 page 101" href="http://viewer.zmags.com/publication/3f12d3a9?page=101"> FREE SUBJECT AUTHOR SUBSCRIPTION/READER ENQUIRY </a> <a title="Auditoria Annual 2012 page 102" href="http://viewer.zmags.com/publication/3f12d3a9?page=102"> STAGE TECHNOLOGY: riGGiNG Jr ClAnCy The wow facto</a> <a title="Auditoria Annual 2012 page 103" href="http://viewer.zmags.com/publication/3f12d3a9?page=103"> STAGE TECHNOLOGY: riGGiNG </a> <a title="Auditoria Annual 2012 page 104" href="http://viewer.zmags.com/publication/3f12d3a9?page=104"> STAGE TECHNOLOGY: RIGGING JR clancy The Muriel K</a> <a title="Auditoria Annual 2012 page 105" href="http://viewer.zmags.com/publication/3f12d3a9?page=105"> Design, Manufacture & Installation of Theatrical </a> <a title="Auditoria Annual 2012 page 106" href="http://viewer.zmags.com/publication/3f12d3a9?page=106"> stage technology Tüchler Multiple choice Whethe</a> <a title="Auditoria Annual 2012 page 107" href="http://viewer.zmags.com/publication/3f12d3a9?page=107"> stage technology </a> <a title="Auditoria Annual 2012 page 108" href="http://viewer.zmags.com/publication/3f12d3a9?page=108"> stAGe teCHnoloGy Tüchler for glues</a> <a title="Auditoria Annual 2012 page 109" href="http://viewer.zmags.com/publication/3f12d3a9?page=109"> full setup for VIP-lounge </a> <a title="Auditoria Annual 2012 page 110" href="http://viewer.zmags.com/publication/3f12d3a9?page=110"> Stage technology gala sysTems Transformative expe</a> <a title="Auditoria Annual 2012 page 111" href="http://viewer.zmags.com/publication/3f12d3a9?page=111"> stage technology Bexar County Performing arts Ce</a> <a title="Auditoria Annual 2012 page 112" href="http://viewer.zmags.com/publication/3f12d3a9?page=112"> sTAge TeChnology gala systems Photo: timothy Hur</a> <a title="Auditoria Annual 2012 page 113" href="http://viewer.zmags.com/publication/3f12d3a9?page=113"> The Best Venues in the world use Gala Systems </a> <a title="Auditoria Annual 2012 page 114" href="http://viewer.zmags.com/publication/3f12d3a9?page=114"> STAge TeChnology hoAc Th</a> <a title="Auditoria Annual 2012 page 115" href="http://viewer.zmags.com/publication/3f12d3a9?page=115"> stage technology auditoria annual 2012 113</a> <a title="Auditoria Annual 2012 page 116" href="http://viewer.zmags.com/publication/3f12d3a9?page=116"> sTAge TeChnology hoac The Busan Cinema Centre – </a> <a title="Auditoria Annual 2012 page 117" href="http://viewer.zmags.com/publication/3f12d3a9?page=117"> WE MAKE IT HAPPEN! Discover our manifold product</a> <a title="Auditoria Annual 2012 page 118" href="http://viewer.zmags.com/publication/3f12d3a9?page=118"> stage technology waagner-biro </a> <a title="Auditoria Annual 2012 page 119" href="http://viewer.zmags.com/publication/3f12d3a9?page=119"> stage technology Pics: Elbphilharmonie Hamburg ©</a> <a title="Auditoria Annual 2012 page 120" href="http://viewer.zmags.com/publication/3f12d3a9?page=120"> stage technology waagner-biro opinion</a> <a title="Auditoria Annual 2012 page 121" href="http://viewer.zmags.com/publication/3f12d3a9?page=121"> —IT ALL REVOLVES AROUND Y</a> <a title="Auditoria Annual 2012 page 122" href="http://viewer.zmags.com/publication/3f12d3a9?page=122"> design AlA ArChiteCts Variety show A </a> <a title="Auditoria Annual 2012 page 123" href="http://viewer.zmags.com/publication/3f12d3a9?page=123"> all photos by iwan Baan The theatre hall is a ve</a> <a title="Auditoria Annual 2012 page 124" href="http://viewer.zmags.com/publication/3f12d3a9?page=124"> deSign diaMond and schMitt architects A sense of</a> <a title="Auditoria Annual 2012 page 125" href="http://viewer.zmags.com/publication/3f12d3a9?page=125"> confident composition, an asymmetry of exuberant </a> <a title="Auditoria Annual 2012 page 126" href="http://viewer.zmags.com/publication/3f12d3a9?page=126"> DESIGN AUERBACH POLLOCK FRIEDLANDER AUERBACH GLAS</a> <a title="Auditoria Annual 2012 page 127" href="http://viewer.zmags.com/publication/3f12d3a9?page=127"> design visual references to scripture are</a> <a title="Auditoria Annual 2012 page 128" href="http://viewer.zmags.com/publication/3f12d3a9?page=128"> deSign rAtio ArchitectS A new beginning A new-bui</a> <a title="Auditoria Annual 2012 page 129" href="http://viewer.zmags.com/publication/3f12d3a9?page=129"> design Norway’s capital for many years an</a> <a title="Auditoria Annual 2012 page 130" href="http://viewer.zmags.com/publication/3f12d3a9?page=130"> AcouSticS Sound Space deSign Team effort </a> <a title="Auditoria Annual 2012 page 131" href="http://viewer.zmags.com/publication/3f12d3a9?page=131"> ACOUSTICS insight into the music-making a</a> <a title="Auditoria Annual 2012 page 132" href="http://viewer.zmags.com/publication/3f12d3a9?page=132"> ACOUSTICS VANGUARDIA CONSULTING Acoustic awaken</a> <a title="Auditoria Annual 2012 page 133" href="http://viewer.zmags.com/publication/3f12d3a9?page=133"> acoustics of the auditorium and detailed </a> <a title="Auditoria Annual 2012 page 134" href="http://viewer.zmags.com/publication/3f12d3a9?page=134"> AcousTics KAhle ACoustiCs Vivid sounds, moving s</a> <a title="Auditoria Annual 2012 page 135" href="http://viewer.zmags.com/publication/3f12d3a9?page=135"> Photos: Kahle acoustics environment within the l</a> <a title="Auditoria Annual 2012 page 136" href="http://viewer.zmags.com/publication/3f12d3a9?page=136"> AcOuSTicS artifon Hidden </a> <a title="Auditoria Annual 2012 page 137" href="http://viewer.zmags.com/publication/3f12d3a9?page=137"> balance, as well as enabling adjustments in rever</a> <a title="Auditoria Annual 2012 page 138" href="http://viewer.zmags.com/publication/3f12d3a9?page=138"> aCouSTiCS marShall day aCouSTiCS THEaTRE DESiGN m</a> <a title="Auditoria Annual 2012 page 139" href="http://viewer.zmags.com/publication/3f12d3a9?page=139"> AcouSTIcS THEATRE DESIGN reinforce sound b</a> <a title="Auditoria Annual 2012 page 140" href="http://viewer.zmags.com/publication/3f12d3a9?page=140"> seaTing ducharMe SeaTing Take your seats The Mont</a> <a title="Auditoria Annual 2012 page 141" href="http://viewer.zmags.com/publication/3f12d3a9?page=141"> A functional aspect of the seating is that </a> <a title="Auditoria Annual 2012 page 142" href="http://viewer.zmags.com/publication/3f12d3a9?page=142"> seaTiNg jEzET sEaTiNg </a> <a title="Auditoria Annual 2012 page 143" href="http://viewer.zmags.com/publication/3f12d3a9?page=143"> seating 300mm sides. 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