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<br /> C#17<br /> WOLFGANG TILLMANS<br /> “IF ONE THING MATTERS,<br /> EVERYTHING MATTERS.”<br /> Front cover:<br /> Wolfgang Tillmans, astro crusto, 2012<br /> Courtesy: Tate Modern, London<br /> 2<br /> Editor’s Note<br /> In this, the sixth issue in the series, we expand our coverage and content further to include<br /> material produced by students from the postgraduate programmes in London – Modern and<br /> Contemporary Art and Art World Practice, Art, Law and Business, Arts of China – and also<br /> pieces written by Christie’s Education students in New York through a series identifying<br /> emerging artists. I would like to thank 2007 alumna Gražina Subelyte who very kindly<br /> contributes here an element of her current PhD research conducted at the Courtauld Institute<br /> on Kurt Seligmann, Surrealism and the Occult.<br /> My greatest thanks are due the truly remarkable cohort of students from Modern and<br /> Contemporary Art <a title="CKS1111_C17 for website page 1" href="http://viewer.zmags.com/publication/4a00c3a8?page=1"> C#17 WOLFGANG TILLMANS “IF ONE THI</a> <a title="CKS1111_C17 for website page 2" href="http://viewer.zmags.com/publication/4a00c3a8?page=2"> Front cover: Wolfgang Till</a> <a title="CKS1111_C17 for website page 3" href="http://viewer.zmags.com/publication/4a00c3a8?page=3"> Editor’s Note In this, the sixth issue in the </a> <a title="CKS1111_C17 for website page 4" href="http://viewer.zmags.com/publication/4a00c3a8?page=4"> TABLE OF CONTENTS FOCUS PIECE QUESTIONS, SUGG</a> <a title="CKS1111_C17 for website page 5" href="http://viewer.zmags.com/publication/4a00c3a8?page=5"> EMERGING ARTISTS A.J. BOCCHINO by Ashlyn Gentile</a> <a title="CKS1111_C17 for website page 6" href="http://viewer.zmags.com/publication/4a00c3a8?page=6"> C#17 QUESTIONS, SUGGESTIONS AND ASSUMPTIONS Sa</a> <a title="CKS1111_C17 for website page 7" href="http://viewer.zmags.com/publication/4a00c3a8?page=7"> C#17 realities, deeper and separate from t</a> <a title="CKS1111_C17 for website page 8" href="http://viewer.zmags.com/publication/4a00c3a8?page=8"> C#17 a pair of nude nylons stretched taught; th</a> <a title="CKS1111_C17 for website page 9" href="http://viewer.zmags.com/publication/4a00c3a8?page=9"> C#17 SKULPTUR PROJEKTE MÜNSTER 2017 A Once A D</a> <a title="CKS1111_C17 for website page 10" href="http://viewer.zmags.com/publication/4a00c3a8?page=10"> C#17 Held every ten years in the German city of</a> <a title="CKS1111_C17 for website page 11" href="http://viewer.zmags.com/publication/4a00c3a8?page=11"> C#17 standing in the middle of the sculpture, v</a> <a title="CKS1111_C17 for website page 12" href="http://viewer.zmags.com/publication/4a00c3a8?page=12"> C#17 DEEP AND DISTURBING Huang Zhuan’s Memoria</a> <a title="CKS1111_C17 for website page 13" href="http://viewer.zmags.com/publication/4a00c3a8?page=13"> C#17 room. The mood created is somewhat </a> <a title="CKS1111_C17 for website page 14" href="http://viewer.zmags.com/publication/4a00c3a8?page=14"> C#17 ROOM 4: ‘MADE IN CALIFORNIA: THE WEST COAS</a> <a title="CKS1111_C17 for website page 15" href="http://viewer.zmags.com/publication/4a00c3a8?page=15"> C#17 Ed Ruscha, Made</a> <a title="CKS1111_C17 for website page 16" href="http://viewer.zmags.com/publication/4a00c3a8?page=16"> C#17 ATHENA PAPADOPOULOS The Smurfette, Emalin</a> <a title="CKS1111_C17 for website page 17" href="http://viewer.zmags.com/publication/4a00c3a8?page=17"> C#17 Papadopoulos’ work is of a str</a> <a title="CKS1111_C17 for website page 18" href="http://viewer.zmags.com/publication/4a00c3a8?page=18"> C#17 SOPHIE JUNG Producing my credentials, Kun</a> <a title="CKS1111_C17 for website page 19" href="http://viewer.zmags.com/publication/4a00c3a8?page=19"> C#17 in a classical pose, amidst the ar</a> <a title="CKS1111_C17 for website page 20" href="http://viewer.zmags.com/publication/4a00c3a8?page=20"> C#17 WOLFGANG TILLMANS Wolfgang Tillmans: 2017</a> <a title="CKS1111_C17 for website page 21" href="http://viewer.zmags.com/publication/4a00c3a8?page=21"> C#17 Wolfgang Tillmans’s recent 14-room, no</a> <a title="CKS1111_C17 for website page 22" href="http://viewer.zmags.com/publication/4a00c3a8?page=22"> C#17 </a> <a title="CKS1111_C17 for website page 23" href="http://viewer.zmags.com/publication/4a00c3a8?page=23"> C#17 ELGER ESSER Morgenland, Parasol Unit, Lon</a> <a title="CKS1111_C17 for website page 24" href="http://viewer.zmags.com/publication/4a00c3a8?page=24"> C#17 Elger Esser, El K</a> <a title="CKS1111_C17 for website page 25" href="http://viewer.zmags.com/publication/4a00c3a8?page=25"> C#17 landscape itself in its entirety, in which</a> <a title="CKS1111_C17 for website page 26" href="http://viewer.zmags.com/publication/4a00c3a8?page=26"> C#17 GORE: WHAT IS IT GOOD FOR? (ABSOLUTEL</a> <a title="CKS1111_C17 for website page 27" href="http://viewer.zmags.com/publication/4a00c3a8?page=27"> C#17 violence, the imagery of beheadin</a> <a title="CKS1111_C17 for website page 28" href="http://viewer.zmags.com/publication/4a00c3a8?page=28"> C#17 CAI GUO-QIANG October, The Pushkin Museum</a> <a title="CKS1111_C17 for website page 29" href="http://viewer.zmags.com/publication/4a00c3a8?page=29"> C#17 Cai Guo-qiang</a> <a title="CKS1111_C17 for website page 30" href="http://viewer.zmags.com/publication/4a00c3a8?page=30"> C#17 </a> <a title="CKS1111_C17 for website page 31" href="http://viewer.zmags.com/publication/4a00c3a8?page=31"> C#17 SONG DONG I Don’t Know the Mandate of Hea</a> <a title="CKS1111_C17 for website page 32" href="http://viewer.zmags.com/publication/4a00c3a8?page=32"> C#17 floor’s display space, combined with two p</a> <a title="CKS1111_C17 for website page 33" href="http://viewer.zmags.com/publication/4a00c3a8?page=33"> C#17 </a> <a title="CKS1111_C17 for website page 34" href="http://viewer.zmags.com/publication/4a00c3a8?page=34"> C#17 ALBERTO GIACOMETTI Retrospective exhibiti</a> <a title="CKS1111_C17 for website page 35" href="http://viewer.zmags.com/publication/4a00c3a8?page=35"> C#17 mainly heads, some of which were r</a> <a title="CKS1111_C17 for website page 36" href="http://viewer.zmags.com/publication/4a00c3a8?page=36"> C#17 GIACOMETTI’S HUMAN WALKS THROUGH</a> <a title="CKS1111_C17 for website page 37" href="http://viewer.zmags.com/publication/4a00c3a8?page=37"> C#17 Camus’s The Fall. ‘Do not wait</a> <a title="CKS1111_C17 for website page 38" href="http://viewer.zmags.com/publication/4a00c3a8?page=38"> C#17 MAURIZIO CATTELAN Beyond Provocation: Art</a> <a title="CKS1111_C17 for website page 39" href="http://viewer.zmags.com/publication/4a00c3a8?page=39"> C#17 Him, 2001. Courtesy:</a> <a title="CKS1111_C17 for website page 40" href="http://viewer.zmags.com/publication/4a00c3a8?page=40"> C#17 Similar ideas about displacement, perc</a> <a title="CKS1111_C17 for website page 41" href="http://viewer.zmags.com/publication/4a00c3a8?page=41"> C#17 is not the raison d’être of it all. As a c</a> <a title="CKS1111_C17 for website page 42" href="http://viewer.zmags.com/publication/4a00c3a8?page=42"> C#17 A.J. BOCCHINO by Ashlyn Gentile American</a> <a title="CKS1111_C17 for website page 43" href="http://viewer.zmags.com/publication/4a00c3a8?page=43"> C#17 ZHANNA KADYROVA by Oksana Chumachenko Zh</a> <a title="CKS1111_C17 for website page 44" href="http://viewer.zmags.com/publication/4a00c3a8?page=44"> C#17 TSCHABALALA SELF by Marie Janssens Tsch</a> <a title="CKS1111_C17 for website page 45" href="http://viewer.zmags.com/publication/4a00c3a8?page=45"> C#17 ANDY WENTZ by Emma Laramie Andy Wentz </a> <a title="CKS1111_C17 for website page 46" href="http://viewer.zmags.com/publication/4a00c3a8?page=46"> C#17 </a> <a title="CKS1111_C17 for website page 47" href="http://viewer.zmags.com/publication/4a00c3a8?page=47"> C#17 ANNE IMHOF Faust, German Pavilion at the </a> <a title="CKS1111_C17 for website page 48" href="http://viewer.zmags.com/publication/4a00c3a8?page=48"> C#17 history of defiance of and resistance to N</a> <a title="CKS1111_C17 for website page 49" href="http://viewer.zmags.com/publication/4a00c3a8?page=49"> C#17 Anne Imhof, Faus</a> <a title="CKS1111_C17 for website page 50" href="http://viewer.zmags.com/publication/4a00c3a8?page=50"> C#17 THE SPECTRAL IN THE ART OF KURT SELIG</a> <a title="CKS1111_C17 for website page 51" href="http://viewer.zmags.com/publication/4a00c3a8?page=51"> C#17 mortality together with a transposition of</a> <a title="CKS1111_C17 for website page 52" href="http://viewer.zmags.com/publication/4a00c3a8?page=52"> C#17 The scrapbook’s table of contents included</a> <a title="CKS1111_C17 for website page 53" href="http://viewer.zmags.com/publication/4a00c3a8?page=53"> C#17 Furthermore, he studied these subjects</a> <a title="CKS1111_C17 for website page 54" href="http://viewer.zmags.com/publication/4a00c3a8?page=54"> C#17 IMAGINED IDENTITY Imagining Qianlo</a> <a title="CKS1111_C17 for website page 55" href="http://viewer.zmags.com/publication/4a00c3a8?page=55"> C#17 La Foire (The Fair) is the largest piece </a> <a title="CKS1111_C17 for website page 56" href="http://viewer.zmags.com/publication/4a00c3a8?page=56"> C#17 NICCOLÒ MONTESI: THE ART OF PLAYING by </a> <a title="CKS1111_C17 for website page 57" href="http://viewer.zmags.com/publication/4a00c3a8?page=57"> C#17 Niccolò Montesi, L’e</a> <a title="CKS1111_C17 for website page 58" href="http://viewer.zmags.com/publication/4a00c3a8?page=58"> C#17 MATTHEW DARBYSHIRE Interview by Daria Has</a> <a title="CKS1111_C17 for website page 59" href="http://viewer.zmags.com/publication/4a00c3a8?page=59"> C#17 Did the background of your studies in</a> <a title="CKS1111_C17 for website page 60" href="http://viewer.zmags.com/publication/4a00c3a8?page=60"> C#17 JEAN-LUC NANCY AND GIORGIO AGAMBEN </a> <a title="CKS1111_C17 for website page 61" href="http://viewer.zmags.com/publication/4a00c3a8?page=61"> C#17 only the causality of the cause, </a> <a title="CKS1111_C17 for website page 62" href="http://viewer.zmags.com/publication/4a00c3a8?page=62"> C#17 of world, to its possibility thus to open </a> <a title="CKS1111_C17 for website page 63" href="http://viewer.zmags.com/publication/4a00c3a8?page=63"> C#17 1. Since Nancy sees art as the result of a</a> <a title="CKS1111_C17 for website page 64" href="http://viewer.zmags.com/publication/4a00c3a8?page=64"> C#17 LESS OIL, MORE COURAGE AND LOVE Thai Cont</a> <a title="CKS1111_C17 for website page 65" href="http://viewer.zmags.com/publication/4a00c3a8?page=65"> C#17 Rikirit Tiravanij</a> <a title="CKS1111_C17 for website page 66" href="http://viewer.zmags.com/publication/4a00c3a8?page=66"> C#17 He constructs communal environments in the</a> <a title="CKS1111_C17 for website page 67" href="http://viewer.zmags.com/publication/4a00c3a8?page=67"> C#17 Arin Rungjang (b. 1975) “The sound of the</a> <a title="CKS1111_C17 for website page 68" href="http://viewer.zmags.com/publication/4a00c3a8?page=68"> C#17 The video And then there were none is the </a> <a title="CKS1111_C17 for website page 69" href="http://viewer.zmags.com/publication/4a00c3a8?page=69"> C#17 Arin Rungjang</a> <a title="CKS1111_C17 for website page 70" href="http://viewer.zmags.com/publication/4a00c3a8?page=70"> C#17 Kawita Vatanaj</a> <a title="CKS1111_C17 for website page 71" href="http://viewer.zmags.com/publication/4a00c3a8?page=71"> C#17 1. In Thailand, people name each other by </a> <a title="CKS1111_C17 for website page 72" href="http://viewer.zmags.com/publication/4a00c3a8?page=72"> C#17 </a> <a title="CKS1111_C17 for website page 73" href="http://viewer.zmags.com/publication/4a00c3a8?page=73"> C#17 </a> <a title="CKS1111_C17 for website page 74" href="http://viewer.zmags.com/publication/4a00c3a8?page=74"> C#17 SUPERVISORS John Slyce Michel</a> <a title="CKS1111_C17 for website page 75" href="http://viewer.zmags.com/publication/4a00c3a8?page=75"> CONTRIBUTING WRITERS Natalie Brashear </a> <a title="CKS1111_C17 for website page 76" href="http://viewer.zmags.com/publication/4a00c3a8?page=76"> C#17 is produced by students at Christie’s Educat</a>