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<br /> The Only AV Platform for HDMI 2.1<br /> AV Infrastructure for an 8K Future<br /> XTP II CrossPoint Series<br /> When we introduced the XTP II CrossPoint Series in 2015, its 50 Gbps digital backplane represented a monumental leap in engineering<br /> and product design. By basing their designs on the XTP II platform, AV system designers have been able to future-proof their system<br /> designs in anticipation of technology advancements. The new HDMI 2.1 specification has just been released, supporting a range of higher<br /> video resolutions and refresh rates, including 8K /60 Hz and 4K /120 Hz with HDR. XTP II frames are the only AV switching platform that<br /> supports the 48 Gbps data rate of HDMI 2.1. With performance and reliability unmatched in the Pro AV industry and modular flexibility,<br /> you can depend on the XTP II CrossPoint Series now and to meet the challenges of an 8K future.<br /> XTP II<br /> 50 Gbps<a title="S&amp;C 2017 05 (May 2017) page 1" href="http://viewer.zmags.com/publication/544901a3?page=1"> The Only AV Platform for HDMI 2.1 AV In</a> <a title="S&amp;C 2017 05 (May 2017) page 2" href="http://viewer.zmags.com/publication/544901a3?page=2"> COMM ERCIAL AV TEC HNOLOGY AND </a> <a title="S&amp;C 2017 05 (May 2017) page 3" href="http://viewer.zmags.com/publication/544901a3?page=3"> Collaborate at the Speed of NOW Introducing HARM</a> <a title="S&amp;C 2017 05 (May 2017) page 4" href="http://viewer.zmags.com/publication/544901a3?page=4"> Clear Precise Audio in the Palm of your Hand Audi</a> <a title="S&amp;C 2017 05 (May 2017) page 5" href="http://viewer.zmags.com/publication/544901a3?page=5"> 36 CONTENTS Volume 63 Number 5 N O I T A C I L </a> <a title="S&amp;C 2017 05 (May 2017) page 6" href="http://viewer.zmags.com/publication/544901a3?page=6"> The Easy Street 6x2 Multi-Format HDBaseT Classroo</a> <a title="S&amp;C 2017 05 (May 2017) page 7" href="http://viewer.zmags.com/publication/544901a3?page=7"> WAVELENGTH It has been interesting to see how</a> <a title="S&amp;C 2017 05 (May 2017) page 8" href="http://viewer.zmags.com/publication/544901a3?page=8"> AV FOR SYSTEMS INTEGRATORS, CONTRACTORS AND </a> <a title="S&amp;C 2017 05 (May 2017) page 9" href="http://viewer.zmags.com/publication/544901a3?page=9"> SP6PTB The Choice For Commercial Audio PBM120AU </a> <a title="S&amp;C 2017 05 (May 2017) page 10" href="http://viewer.zmags.com/publication/544901a3?page=10"> NEWSLETTER BELDEN TO ACQUIRE THINKLOGICAL Think</a> <a title="S&amp;C 2017 05 (May 2017) page 11" href="http://viewer.zmags.com/publication/544901a3?page=11"> NEWSLETTER Patty McGoldrick, CEO/Founder, Imme</a> <a title="S&amp;C 2017 05 (May 2017) page 12" href="http://viewer.zmags.com/publication/544901a3?page=12"> Volkstheater Cologne, Germany This isn't about ne</a> <a title="S&amp;C 2017 05 (May 2017) page 13" href="http://viewer.zmags.com/publication/544901a3?page=13"> Where’s The Point? Part 5 Sound absorption measur</a> <a title="S&amp;C 2017 05 (May 2017) page 14" href="http://viewer.zmags.com/publication/544901a3?page=14">       New from </a> <a title="S&amp;C 2017 05 (May 2017) page 15" href="http://viewer.zmags.com/publication/544901a3?page=15"> Face It! Reading human facial cues. By Shonan No</a> <a title="S&amp;C 2017 05 (May 2017) page 16" href="http://viewer.zmags.com/publication/544901a3?page=16"> The brave new world of emo- tionally and demogra</a> <a title="S&amp;C 2017 05 (May 2017) page 17" href="http://viewer.zmags.com/publication/544901a3?page=17"> We powered everything up and immediately Preven</a> <a title="S&amp;C 2017 05 (May 2017) page 18" href="http://viewer.zmags.com/publication/544901a3?page=18"> The new ATEM Television Studio HD is a powerful</a> <a title="S&amp;C 2017 05 (May 2017) page 19" href="http://viewer.zmags.com/publication/544901a3?page=19"> THE COMMISH In the AV industr y, the end users ar</a> <a title="S&amp;C 2017 05 (May 2017) page 20" href="http://viewer.zmags.com/publication/544901a3?page=20"> </a> <a title="S&amp;C 2017 05 (May 2017) page 21" href="http://viewer.zmags.com/publication/544901a3?page=21"> WHAT WOULD YOU DO? Low Bidder Ag How did that wor</a> <a title="S&amp;C 2017 05 (May 2017) page 22" href="http://viewer.zmags.com/publication/544901a3?page=22"> For decades, Yamaha has introduced a number of in</a> <a title="S&amp;C 2017 05 (May 2017) page 23" href="http://viewer.zmags.com/publication/544901a3?page=23"> INFOCOMM POV Don’t Just Sell Technology will only</a> <a title="S&amp;C 2017 05 (May 2017) page 24" href="http://viewer.zmags.com/publication/544901a3?page=24"> BE DIFFERENT. Chief has opened new creative possi</a> <a title="S&amp;C 2017 05 (May 2017) page 25" href="http://viewer.zmags.com/publication/544901a3?page=25"> A Rising Tide Lifts All Ships Why integrators sho</a> <a title="S&amp;C 2017 05 (May 2017) page 26" href="http://viewer.zmags.com/publication/544901a3?page=26"> For Up-to-the-Minute Industry News, WATCH A 湥眠灲</a> <a title="S&amp;C 2017 05 (May 2017) page 27" href="http://viewer.zmags.com/publication/544901a3?page=27"> A Box, An Am What’s in the Box? 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If you are a systems integr</a> <a title="S&amp;C 2017 05 (May 2017) page 35" href="http://viewer.zmags.com/publication/544901a3?page=35"> Back To Basics The what and when of IP signal di</a> <a title="S&amp;C 2017 05 (May 2017) page 36" href="http://viewer.zmags.com/publication/544901a3?page=36"> AES67 is a standard designed to allow for inte</a> <a title="S&amp;C 2017 05 (May 2017) page 37" href="http://viewer.zmags.com/publication/544901a3?page=37"> TOP-TIER EDUCATION FOR View from the stage, s</a> <a title="S&amp;C 2017 05 (May 2017) page 38" href="http://viewer.zmags.com/publication/544901a3?page=38"> BY JIM STOKES Stanford University’s Cubberley A</a> <a title="S&amp;C 2017 05 (May 2017) page 39" href="http://viewer.zmags.com/publication/544901a3?page=39"> “Timewise, it was exactly 90 days for the des</a> <a title="S&amp;C 2017 05 (May 2017) page 40" href="http://viewer.zmags.com/publication/544901a3?page=40"> SUBSCRIBE FOR FREE TODAY /c</a> <a title="S&amp;C 2017 05 (May 2017) page 41" href="http://viewer.zmags.com/publication/544901a3?page=41"> the DAC Atmos Configuration file that tells the CP8</a> <a title="S&amp;C 2017 05 (May 2017) page 42" href="http://viewer.zmags.com/publication/544901a3?page=42"> Audio Flow It’s better to discuss the audio syste</a> <a title="S&amp;C 2017 05 (May 2017) page 43" href="http://viewer.zmags.com/publication/544901a3?page=43"> Control room view, showing left and right column </a> <a title="S&amp;C 2017 05 (May 2017) page 44" href="http://viewer.zmags.com/publication/544901a3?page=44"> ment list, where the speakers are fur ther broken</a> <a title="S&amp;C 2017 05 (May 2017) page 45" href="http://viewer.zmags.com/publication/544901a3?page=45"> Rear surround positions showing the loudspeakers,</a> <a title="S&amp;C 2017 05 (May 2017) page 46" href="http://viewer.zmags.com/publication/544901a3?page=46"> Detail showing rear- and side-surround speaker ai</a> <a title="S&amp;C 2017 05 (May 2017) page 47" href="http://viewer.zmags.com/publication/544901a3?page=47"> TEACHING THEATER ARTS E ARLY Palo Alto HS provide</a> <a title="S&amp;C 2017 05 (May 2017) page 48" href="http://viewer.zmags.com/publication/544901a3?page=48"> BY DAN DALEY There’s high school, then there’</a> <a title="S&amp;C 2017 05 (May 2017) page 49" href="http://viewer.zmags.com/publication/544901a3?page=49"> Overhead and lateral loudspeakers provide envelop</a> <a title="S&amp;C 2017 05 (May 2017) page 50" href="http://viewer.zmags.com/publication/544901a3?page=50"> Tim Maloney Wall-mounted loudspeakers provide la</a> <a title="S&amp;C 2017 05 (May 2017) page 51" href="http://viewer.zmags.com/publication/544901a3?page=51"> The active-acoustics system includes an electroni</a> <a title="S&amp;C 2017 05 (May 2017) page 52" href="http://viewer.zmags.com/publication/544901a3?page=52"> tion and material costs, and some of the savings </a> <a title="S&amp;C 2017 05 (May 2017) page 53" href="http://viewer.zmags.com/publication/544901a3?page=53"> Failures can happen. 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