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<br /> Vol. 56 No. 3 March 22, 2010<br /> elVis liVes<br /> CirQue du soleil’s<br /> ViVa elVis Puts<br /> the kinG baCk in<br /> VeGas.<br /> wwii history<br /> museum takes<br /> us ‘beyond all<br /> boundaries.’<br /> 4d history<br /> oasis oF<br /> the seas<br /> how to build an<br /> entertainment<br /> ComPleX in a<br /> FloatinG metal<br /> shell.<br /> AV FOR SYSTEMS INTEGRATORS, CONTRACTORS AND CONSULTANTS<br /> 13th AnnualWorship CenterAV Survey<br /> <br /> worshiP<br /> Center aV<br /> surVey<br /> S&C-WorshipSurvey-200.indd  3/8/200 5:09:03 PM<br /> VIEW OUR INTERACTIVE DIGITAL EDITION:<br /> www.soundandcommunications.com<br /> www.yamahaca.com<br /> Leave those bulky copper snakes behind. Yamaha’s newest<br /> addi<a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 1" href="http://viewer.zmags.com/publication/904da2bd?page=1"> Vol. 56 No. 3 </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 2" href="http://viewer.zmags.com/publication/904da2bd?page=2"> www.yamahaca.com Leave those bulky c</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 3" href="http://viewer.zmags.com/publication/904da2bd?page=3"> 8;JG8L;@FGC8K=FIDN@K?LGKF </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 4" href="http://viewer.zmags.com/publication/904da2bd?page=4"> Volume 56 Number 3 March 22, 2010 </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 5" href="http://viewer.zmags.com/publication/904da2bd?page=5"> crestron.com/vpanel the new mode</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 6" href="http://viewer.zmags.com/publication/904da2bd?page=6"> Digital signage has the hottest </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 7" href="http://viewer.zmags.com/publication/904da2bd?page=7"> Safe and Sound... Where speech intelligibility m</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 8" href="http://viewer.zmags.com/publication/904da2bd?page=8"> POWER-UP THE FUTURE. CASIO'S GREEN SLIM PROJECTO</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 9" href="http://viewer.zmags.com/publication/904da2bd?page=9"> NEWSLETTER EXTRON ACQUIRES ELECTROSONIC PRODUCTS </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 10" href="http://viewer.zmags.com/publication/904da2bd?page=10"> NEWSLETTER Along with other member benefits still </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 11" href="http://viewer.zmags.com/publication/904da2bd?page=11"> Now you can afford to combine </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 12" href="http://viewer.zmags.com/publication/904da2bd?page=12"> Why AV Dealers Suck At Marketing And how you can </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 13" href="http://viewer.zmags.com/publication/904da2bd?page=13"> </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 14" href="http://viewer.zmags.com/publication/904da2bd?page=14"> Sound Quality Conclusion A matter of timing. By P</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 15" href="http://viewer.zmags.com/publication/904da2bd?page=15"> </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 16" href="http://viewer.zmags.com/publication/904da2bd?page=16"> pictorially summarizes the general effect with re</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 17" href="http://viewer.zmags.com/publication/904da2bd?page=17"> Network Ready. Right Out of the Box. </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 18" href="http://viewer.zmags.com/publication/904da2bd?page=18"> Mobile Interactivity Myriad factors to consider. </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 19" href="http://viewer.zmags.com/publication/904da2bd?page=19"> Think way outside the rectangle. Sony's new Ziri</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 20" href="http://viewer.zmags.com/publication/904da2bd?page=20"> tory and how the ads will be billed have to be ad</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 21" href="http://viewer.zmags.com/publication/904da2bd?page=21"> Winner of the WFX 2008 Award for best projection </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 22" href="http://viewer.zmags.com/publication/904da2bd?page=22"> Delivering ‘The Message’ Oakwood University Churc</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 23" href="http://viewer.zmags.com/publication/904da2bd?page=23"> EXTENDED THROUGH 6/30/10 TRADE IN. TRADE UP. </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 24" href="http://viewer.zmags.com/publication/904da2bd?page=24"> in a church for a touring act and the church lead</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 25" href="http://viewer.zmags.com/publication/904da2bd?page=25"> </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 26" href="http://viewer.zmags.com/publication/904da2bd?page=26"> mixes to spare for effects.” Given the number of </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 27" href="http://viewer.zmags.com/publication/904da2bd?page=27"> Everything available. All of the time. 3</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 28" href="http://viewer.zmags.com/publication/904da2bd?page=28"> Sound Advice For The Sound Team Training is the k</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 29" href="http://viewer.zmags.com/publication/904da2bd?page=29"> CLEAR SOUND REBATE Save on ALL Audio-Tec</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 30" href="http://viewer.zmags.com/publication/904da2bd?page=30"> The Integration Of Church And State Renovated 113</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 31" href="http://viewer.zmags.com/publication/904da2bd?page=31"> </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 32" href="http://viewer.zmags.com/publication/904da2bd?page=32"> The control room serves the multiple functionalit</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 33" href="http://viewer.zmags.com/publication/904da2bd?page=33"> CLEA R THE WAY FOR... THE NEW FREEDOM OF SPEECH </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 34" href="http://viewer.zmags.com/publication/904da2bd?page=34"> Cirque du Soleil’s Viva ELVIS channels the King. </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 35" href="http://viewer.zmags.com/publication/904da2bd?page=35"> Resort & Casino, the flagship property in the proj</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 36" href="http://viewer.zmags.com/publication/904da2bd?page=36"> about music and movement of great scale, rhythm a</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 37" href="http://viewer.zmags.com/publication/904da2bd?page=37"> All Rights Reserved © Stewart Filmscreen 2009 </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 38" href="http://viewer.zmags.com/publication/904da2bd?page=38"> equipment FOH, MOnitOr COnsOles 24 Mac, PC Show </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 39" href="http://viewer.zmags.com/publication/904da2bd?page=39"> Still cookin’ in the good ol’ Un</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 40" href="http://viewer.zmags.com/publication/904da2bd?page=40"> X Family Half-Page-Horiz S&C 2009:Layout 1 5/18/2</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 41" href="http://viewer.zmags.com/publication/904da2bd?page=41"> cent Cirque theaters on the Strip. In the show’s </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 42" href="http://viewer.zmags.com/publication/904da2bd?page=42"> ©Julie Aucoin subdued theatrical venue to a puls</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 43" href="http://viewer.zmags.com/publication/904da2bd?page=43"> The million-dollar wall is composed of 384 LED ti</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 44" href="http://viewer.zmags.com/publication/904da2bd?page=44"> 4D hisToRy Visitors to the World War II Museu</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 45" href="http://viewer.zmags.com/publication/904da2bd?page=45"> </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 46" href="http://viewer.zmags.com/publication/904da2bd?page=46"> The new Victory Theater at the World War II Museu</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 47" href="http://viewer.zmags.com/publication/904da2bd?page=47"> +HOSLQJWKHLQGXVWU\VWD\KHDOWK\ E\DGGLQJHYHQPRUH¿EH</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 48" href="http://viewer.zmags.com/publication/904da2bd?page=48"> equipment VideO 3 Christie Roadster S+20k DLP, </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 49" href="http://viewer.zmags.com/publication/904da2bd?page=49"> 5 Opto 22 SNAP-ODC-HDB fused breakout racks for</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 50" href="http://viewer.zmags.com/publication/904da2bd?page=50"> Courtesy Electrosonic wind on the audience. As t</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 51" href="http://viewer.zmags.com/publication/904da2bd?page=51"> elements will need some fine- </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 52" href="http://viewer.zmags.com/publication/904da2bd?page=52"> oAsis oF The seAs How to build a mixed-use entert</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 53" href="http://viewer.zmags.com/publication/904da2bd?page=53"> Amphibians: Both land And sea In term</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 54" href="http://viewer.zmags.com/publication/904da2bd?page=54"> equipment rOyAl PrOMenAde 28 Atlas FAP42TC ceilin</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 55" href="http://viewer.zmags.com/publication/904da2bd?page=55"> </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 56" href="http://viewer.zmags.com/publication/904da2bd?page=56"> Aqua theater 1 360 Systems DR-600 Instant Repla</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 57" href="http://viewer.zmags.com/publication/904da2bd?page=57"> 3 Panasonic WV-CW964 video cameras 2 Peerless</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 58" href="http://viewer.zmags.com/publication/904da2bd?page=58"> MAin tHeAter 1 360 Systems DR-600 Instant Repla</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 59" href="http://viewer.zmags.com/publication/904da2bd?page=59"> Surround speakers for the Main Theater Side</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 60" href="http://viewer.zmags.com/publication/904da2bd?page=60"> areas together.” The main speakers are t</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 61" href="http://viewer.zmags.com/publication/904da2bd?page=61"> did a hydrodynamic mockup to model the water acti</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 62" href="http://viewer.zmags.com/publication/904da2bd?page=62"> was provided by FUNA International Inc. (www.funa</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 63" href="http://viewer.zmags.com/publication/904da2bd?page=63"> ery place you might need a device, made accessibl</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 64" href="http://viewer.zmags.com/publication/904da2bd?page=64"> E i sh</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 65" href="http://viewer.zmags.com/publication/904da2bd?page=65"> clearly pulled well ahead of plasmas in this race</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 66" href="http://viewer.zmags.com/publication/904da2bd?page=66"> Bogen Family Archives David Bogen david BoGen (</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 67" href="http://viewer.zmags.com/publication/904da2bd?page=67"> pendent on his own abilities. Although he spoke E</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 68" href="http://viewer.zmags.com/publication/904da2bd?page=68"> ment at any of the large companies he approached,</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 69" href="http://viewer.zmags.com/publication/904da2bd?page=69"> a new company; however, the David Bogen Company p</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 70" href="http://viewer.zmags.com/publication/904da2bd?page=70"> Contemporary shot of today’s Bogen Com</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 71" href="http://viewer.zmags.com/publication/904da2bd?page=71"> tering and betterment of the industry, we might e</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 72" href="http://viewer.zmags.com/publication/904da2bd?page=72"> Theme Parks & attractions Leisure seekers find pro</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 73" href="http://viewer.zmags.com/publication/904da2bd?page=73"> King Kong attacks After an 18-month abs</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 74" href="http://viewer.zmags.com/publication/904da2bd?page=74"> COMPILED BY DAN FERRISI sound & Communications</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 75" href="http://viewer.zmags.com/publication/904da2bd?page=75"> brings BT’s Bridge Connect services to the scalab</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 76" href="http://viewer.zmags.com/publication/904da2bd?page=76"> Bag end delivers for faith Christian In every app</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 77" href="http://viewer.zmags.com/publication/904da2bd?page=77"> MORE INFO IN A CLICK Visit The New www.soundandco</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 78" href="http://viewer.zmags.com/publication/904da2bd?page=78"> snoqualmie valley Church Chooses ev Electro-Voice</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 79" href="http://viewer.zmags.com/publication/904da2bd?page=79"> clips, photographs, sound recordings and news foo</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 80" href="http://viewer.zmags.com/publication/904da2bd?page=80"> JBL fits at Georgia Tech University Baker Audio r</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 81" href="http://viewer.zmags.com/publication/904da2bd?page=81"> aesthetics, signage, large-format graphics, FFE (</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 82" href="http://viewer.zmags.com/publication/904da2bd?page=82"> featuring four 1080p HD screens, four scoring scr</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 83" href="http://viewer.zmags.com/publication/904da2bd?page=83"> Conference: June 5-11  Exhibition: June 9-</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 84" href="http://viewer.zmags.com/publication/904da2bd?page=84"> museums, worship, government, restaurants, retail</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 85" href="http://viewer.zmags.com/publication/904da2bd?page=85"> NC State used the Video Furnace technology on sho</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 86" href="http://viewer.zmags.com/publication/904da2bd?page=86"> lutions that can withstand the operating conditio</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 87" href="http://viewer.zmags.com/publication/904da2bd?page=87"> venue includes two rooms displaying separate but </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 88" href="http://viewer.zmags.com/publication/904da2bd?page=88"> classroom, and provides school-wide systems and i</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 89" href="http://viewer.zmags.com/publication/904da2bd?page=89"> and liturgical readings. The three HPX500s are pl</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 90" href="http://viewer.zmags.com/publication/904da2bd?page=90"> All specifications supplied by manufacturers and/o</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 91" href="http://viewer.zmags.com/publication/904da2bd?page=91"> Crestron’s TPMC-4SM Ultra-Thin PoE Touchpanel </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 92" href="http://viewer.zmags.com/publication/904da2bd?page=92"> Hall Research’s Mo del U RA-SKU AV-On-UTP Receive</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 93" href="http://viewer.zmags.com/publication/904da2bd?page=93"> Hitachi’s CP-DW10N 3LCD Short-Throw Projector Am</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 94" href="http://viewer.zmags.com/publication/904da2bd?page=94"> Meyer Sound’s CAL Steerable Column Array Speakers</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 95" href="http://viewer.zmags.com/publication/904da2bd?page=95"> Christie’s LX605 Projector Audio-Technica’s 5000 </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 96" href="http://viewer.zmags.com/publication/904da2bd?page=96"> ComNet’s Fiberoptic Transmission Product ComNet </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 97" href="http://viewer.zmags.com/publication/904da2bd?page=97"> AN ADVERTISING SUPPLEMENT TO SOUND & COMMUNICATIO</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 98" href="http://viewer.zmags.com/publication/904da2bd?page=98"> AN ADVERTISING SUPPLEMENT TO SOUND & COMMUNICATIO</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 99" href="http://viewer.zmags.com/publication/904da2bd?page=99"> sign Age (Continued from 20) “Whe</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 100" href="http://viewer.zmags.com/publication/904da2bd?page=100"> the world is still flAt (Continued from 65) of </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 101" href="http://viewer.zmags.com/publication/904da2bd?page=101"> Promenade,” said Vlassopulos. There are several l</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 102" href="http://viewer.zmags.com/publication/904da2bd?page=102"> oAsis of the seAs are part of the digital signage</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 103" href="http://viewer.zmags.com/publication/904da2bd?page=103"> For advertising rates and deadlines call 800-YES-</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 104" href="http://viewer.zmags.com/publication/904da2bd?page=104"> AD INDEX Company </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 105" href="http://viewer.zmags.com/publication/904da2bd?page=105"> For advertising rates and deadlines call 800-YES-</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 106" href="http://viewer.zmags.com/publication/904da2bd?page=106"> Restaurants/Bars/Lounges By Dan Ferrisi “D</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 107" href="http://viewer.zmags.com/publication/904da2bd?page=107"> </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 108" href="http://viewer.zmags.com/publication/904da2bd?page=108"> 10 input formats 0 converters + 1 d</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 109" href="http://viewer.zmags.com/publication/904da2bd?page=109"> To access The 13Th annual Worship cenTer aV surVe</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 110" href="http://viewer.zmags.com/publication/904da2bd?page=110"> </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 111" href="http://viewer.zmags.com/publication/904da2bd?page=111"> 13th AV FOR SYSTEMS INTEGRATORS, CONTRACTORS AN</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 112" href="http://viewer.zmags.com/publication/904da2bd?page=112"> AV FOR SYSTEMS INTEGRATORS, CONTRACTORS AND CONSU</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 113" href="http://viewer.zmags.com/publication/904da2bd?page=113"> USABLE RESPONSES 2010 = 143 2009 = 131 2008 = 224</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 114" href="http://viewer.zmags.com/publication/904da2bd?page=114"> METHODOLOGY QUE</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 115" href="http://viewer.zmags.com/publication/904da2bd?page=115"> RESULTS The pie chart for Question #1 ill</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 116" href="http://viewer.zmags.com/publication/904da2bd?page=116"> property supplied by US residents) </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 117" href="http://viewer.zmags.com/publication/904da2bd?page=117"> What are yo ‘General soun in the sanctu includes</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 118" href="http://viewer.zmags.com/publication/904da2bd?page=118"> are planning to add/improve their video capa- </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 119" href="http://viewer.zmags.com/publication/904da2bd?page=119"> its strong showing, and one hopes these are </a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 120" href="http://viewer.zmags.com/publication/904da2bd?page=120"> in Question #10), marketing efforts reflecting in</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 121" href="http://viewer.zmags.com/publication/904da2bd?page=121"> systems. For the first time, we have converted pr</a> <a title="Sound &amp; Communications 2010-3-22 Issue, Vol.56 No.3 page 122" href="http://viewer.zmags.com/publication/904da2bd?page=122"> year to year. Bottom line is, although our resp</a>