If you are visually impaired or blind, you can visit the PDF version by Pressing CONTROL + ALT + 4
You need a JavaScript enabled browser to view this Publication
Please follow these steps to view the Publication:
Enable JavaScript in your browser
Refresh this page
Best regards
Zmags
<br /> Nashville Arts Magazine | October 2O1O | 1<br /> !"#$"%&'()%""*(+,--"%.(<br /> #/(0#'12%#3(!"#$"%&'(42%*($%"'"/1'<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> D/(1>#'(HI1>(.",%(I2%(1>"('>2JK(J"(>,L"(1>"(>2/2%(,/;(:/#M:"(<br /> 2$$2%1:/#1.(12(>",%(I%2A(,/("C$"%1(#/(,--(,'$"31'(2I($-,3#/8('3:-$1:%"G(<br /> 72>/(<#/*,;"(#'($%"'#;"/1(,/;()=N(2I(@>"(O,1#2/,-(B3:-$12%'(+:#-;(<br /> ,/;(,/(2J/"%(2I(1>"(,33-,#A";()2-:AP#/"(+,--"%.G(0"(>,'(I,3#-#1,1
Nashville Arts Magazine | October 2O1O | 1
Nashville Arts Magazine | October 2O1O | 1
!"#$"%&'()%""*(+,--"%.(#/(0#'12%#3(!"#$"%&'(42%*
!"#$"%&'()%""*(+,--"%.(#/(0#'12%#3(!"#$"%&'(42%*
N312P"%(ddK(dXK(da609-.)015$.:
N312P"%(ddK(dXK(da609-.)015$.:
Wildfowl Sculptures ildfowlSculptures
Wildfowl Sculptures ildfowlSculptures
Nashville Arts Magazine | October 2O1O | 5
Nashville Arts Magazine | October 2O1O | 5
+"#$,)'-$./('0)!1/'$2/3$41-"!$5#6!/3)!1/'$73#6#'!
+"#$,)'-$./('0)!1/'$2/3$41-"!$5#6!/3)!1/'$73#6#'!
456(789:'';<;9=0!"#$%&'()*+,-"'./0%*1"$%&'()*+,
456(789:'';<;9=0!"#$%&'()*+,-"'./0%*1"$%&'()*+,
celebrating 25 yearsof excellence.Season subscr
celebrating 25 yearsof excellence.Season subscr
!"!"#$
!"!"#$
10 | October 2O1O |Budsliquors9.16.09.indd 1
10 | October 2O1O |Budsliquors9.16.09.indd 1
Publisher's NoteWhile my time at Nashville Ar
Publisher's NoteWhile my time at Nashville Ar
Lisa JenningsMetal, Sticks & Stones, Leiper's
Lisa JenningsMetal, Sticks & Stones, Leiper's
Spotlight14th Annual Artclecticat University Sc
Spotlight14th Annual Artclecticat University Sc
SpotlightRichland Fine ArtHos
SpotlightRichland Fine ArtHos
Encore! Reclaim the Sound.Piano parts once desti
Encore! Reclaim the Sound.Piano parts once desti
Take a swigof country elegance.“Bott
Take a swigof country elegance.“Bott
SpotlightMurat KaboulovWe were deeply saddened
SpotlightMurat KaboulovWe were deeply saddened
Spotlight RIGHT: Andrew Saftel, E
Spotlight RIGHT: Andrew Saftel, E
John GuiderJohn Guider, nationally recog-niz
John GuiderJohn Guider, nationally recog-niz
SpotlightMakoto FujimuraAs part of its Spiritua
SpotlightMakoto FujimuraAs part of its Spiritua
PHOTOS: COURTESY OF GALLERY 202Gallery 202 Gran
PHOTOS: COURTESY OF GALLERY 202Gallery 202 Gran
SpotlightEve FleishmanPeace or Drama Art and M
SpotlightEve FleishmanPeace or Drama Art and M
PHOTO: DAVE NEWMANPH
PHOTO: DAVE NEWMANPH
O C TO B E R … 1 M O N
O C TO B E R … 1 M O N
Real Estate6144 Jocelyn HollowWelcome to
Real Estate6144 Jocelyn HollowWelcome to
26 | October 2O1O | Nashville Arts Magazine
26 | October 2O1O | Nashville Arts Magazine
FAR LEFT: Ascent of Unity, Watercolor, pen, and i
FAR LEFT: Ascent of Unity, Watercolor, pen, and i
S A R R A T T GA L L E R Y AT VANDERBILT PR
S A R R A T T GA L L E R Y AT VANDERBILT PR
AmericanImpressionistSociety,Inc.
AmericanImpressionistSociety,Inc.
“ roughout the show, pieces by celebrated artists
“ roughout the show, pieces by celebrated artists
RIGHT: Monet, Les barques. Régates á Argenteuil
RIGHT: Monet, Les barques. Régates á Argenteuil
TOP LEFT: Morisot, The CradleLEFT: Manet, Berthe
TOP LEFT: Morisot, The CradleLEFT: Manet, Berthe
ABOVE: Manet, La Damme au Eventails RIGHT: Cai
ABOVE: Manet, La Damme au Eventails RIGHT: Cai
LEFT: Whistler, Arrangement in Grey and Black No.
LEFT: Whistler, Arrangement in Grey and Black No.
thewaypastashouldbe.vÀià ÊVÕÌÊ«>ÃÌ>ÊUÊhandmade
thewaypastashouldbe.vÀià ÊVÕÌÊ«>ÃÌ>ÊUÊhandmade
2344567-898&#% # # % #$)'()&,($ & -" %"# !"
2344567-898&#% # # % #$)'()&,($ & -" %"# !"
Nashville Arts Magazine | October 2O1O | 37
Nashville Arts Magazine | October 2O1O | 37
PHOTO: ANTHONY SCARLATI38 | October 2O1O |
PHOTO: ANTHONY SCARLATI38 | October 2O1O |
Brent and Janel Mahere Long and Winding Road
Brent and Janel Mahere Long and Winding Road
“ Janel can visualize a nished piece before
“ Janel can visualize a nished piece before
con dence that I could do what I wanted to do. We
con dence that I could do what I wanted to do. We
rinter and oung ink on papeay, 6 days aNashvil
rinter and oung ink on papeay, 6 days aNashvil
Nashville Arts Magazine | October 2O1O | 43
Nashville Arts Magazine | October 2O1O | 43
Education“ Ask any kid here, and they
Education“ Ask any kid here, and they
Sam Hunter, 17, plays Mr. Sandman on his acoustic
Sam Hunter, 17, plays Mr. Sandman on his acoustic
46 | October 2O1O | Nashville Arts Magazine
46 | October 2O1O | Nashville Arts Magazine
Nashville Arts Magazine | October 2O1O | 47
Nashville Arts Magazine | October 2O1O | 47
Specializing in:Rare Books, Document
Specializing in:Rare Books, Document
<./6*)</=':*>3='86:86/-:4.1?/)8./=
<./6*)</=':*>3='86:86/-:4.1?/)8./=
!"#"$%&'()*+$,-&($$www 39Ba
!"#"$%&'()*+$,-&($$www 39Ba
$$./)01$223$$!$$4&567)8819$:1**15511$#;<3"$$!$$=>
$$./)01$223$$!$$4&567)8819$:1**15511$#;<3"$$!$$=>
PHOTO: ANTHONY SCARLATI52 | October 2O1O | N
PHOTO: ANTHONY SCARLATI52 | October 2O1O | N
Trevor!Complex Simplicityby Lizzie Peters
Trevor!Complex Simplicityby Lizzie Peters
LEFT: Garden Delight, 24” x 24”BOTTOM LEFT: Big
LEFT: Garden Delight, 24” x 24”BOTTOM LEFT: Big
ABOVE: Orchids, 30” x 40”TOP RIGHT: Plums Be Yum
ABOVE: Orchids, 30” x 40”TOP RIGHT: Plums Be Yum
PHOTO: ANTHONY SCARLATILEFT: Stretch, 24” x 12”
PHOTO: ANTHONY SCARLATILEFT: Stretch, 24” x 12”
/%:&2"##,01-%<<)&,-"0$;"&&%& w w w . J o h n
/%:&2"##,01-%<<)&,-"0$;"&&%& w w w . J o h n
58 | October 2O1O | Nashville Arts Magazine
58 | October 2O1O | Nashville Arts Magazine
Darrell Scottrough the Open Doorby Gary Ta
Darrell Scottrough the Open Doorby Gary Ta
When did you start writing songs?By the age of
When did you start writing songs?By the age of
You’re in a new band with Robert Plantof Led Zep
You’re in a new band with Robert Plantof Led Zep
DUhfcbgDUfhmH<IFG85MC7HC69F&%*da!%&)]bUXjUbWY
DUhfcbgDUfhmH<IFG85MC7HC69F&%*da!%&)]bUXjUbWY
PhotographyBob DelevanteWide Open Shutter
PhotographyBob DelevanteWide Open Shutter
Swing Ride, I looked up—there was my photograph.
Swing Ride, I looked up—there was my photograph.
66 | October 2O1O | Nashville Arts Magazine
66 | October 2O1O | Nashville Arts Magazine
FAR LEFT: The Abandoned House, My family dreads r
FAR LEFT: The Abandoned House, My family dreads r
ABOVE: Carnival Game #1, I've always been drawn t
ABOVE: Carnival Game #1, I've always been drawn t
!"#$%&'()*+,&-.
!"#$%&'()*+,&-.
+,-K)/2*:3,)Q.1/2='25)7*/D'--)*/'/(*:6J;CÅ
+,-K)/2*:3,)Q.1/2='25)7*/D'--)*/'/(*:6J;CÅ
WhereBelleMeadeConsigns
WhereBelleMeadeConsigns
HarryUnderwoodReveries of a ComplicatedSign Pa
HarryUnderwoodReveries of a ComplicatedSign Pa
History of Wishful Thinking
History of Wishful Thinking
“ I'm trying to articulate things that I ca
“ I'm trying to articulate things that I ca
OPPOSITE PAGE: The West Wind Drift
OPPOSITE PAGE: The West Wind Drift
“ I feel like I'm the guy mopping the oor reall
“ I feel like I'm the guy mopping the oor reall
RIGHT: SpurBELOW: Sun Plaza“I'm
RIGHT: SpurBELOW: Sun Plaza“I'm
!"#$%&'()*'(+
!"#$%&'()*'(+
=>=($$M2@A&H4:@?126&0G21H0=2&5?G21;:3J&56?&H45
=>=($$M2@A&H4:@?126&0G21H0=2&5?G21;:3J&56?&H45
eatreLong May You Run!Two homegrown Nashvil
eatreLong May You Run!Two homegrown Nashvil
Images from The Doyle and Debbie ShowPHOTOS: DE
Images from The Doyle and Debbie ShowPHOTOS: DE
Appraise ItPottery and PorcelainSince it has
Appraise ItPottery and PorcelainSince it has
Ida Mae Curtis (American, 1860–1959), Dunes, Oil
Ida Mae Curtis (American, 1860–1959), Dunes, Oil
Newly Arrived One-of-a-Kind Centurion Art Nouveau
Newly Arrived One-of-a-Kind Centurion Art Nouveau
executive chef CulinaryJames LohseM
executive chef CulinaryJames LohseM
WADE- EGBERT.COM In
WADE- EGBERT.COM In
areer intist and ightningve been
areer intist and ightningve been
On e Town
On e Town
supper” but seated (with placecards) at long tab
supper” but seated (with placecards) at long tab
Tige ReeveGALLERYWEST
Tige ReeveGALLERYWEST
Beyond Words...by Marshall ChapmanBecause I ha
Beyond Words...by Marshall ChapmanBecause I ha
Dav d Sanbo n T i r rifeaturin
Dav d Sanbo n T i r rifeaturin
!"#$%&'()*+!"#!$%#!$&#&'!(%))%)!*!+,-./0!123!14!5
!"#$%&'()*+!"#!$%#!$&#&'!(%))%)!*!+,-./0!123!14!5
2!"#$3&,4)0$*55&4'6A show of Artisan
2!"#$3&,4)0$*55&4'6A show of Artisan
Equine Sculptor Bronze
Equine Sculptor Bronze
!"#$!%#%&$'"(("(?%6%0#)*#2<%#@&
!"#$!%#%&$'"(("(?%6%0#)*#2<%#@&
Open$1000 1 STfor “Scratch” only · OCONTE
Open$1000 1 STfor “Scratch” only · OCONTE
My Favorite PaintingBonnieGarnerRetired musi
My Favorite PaintingBonnieGarnerRetired musi
Nashville Arts Magazine | October 2O1O | 99
Nashville Arts Magazine | October 2O1O | 99
!"#$%&"%'%(&)$*&+$,%"-.%+'/&"0%'%1*-2%&"%3'145&((
!"#$%&"%'%(&)$*&+$,%"-.%+'/&"0%'%1*-2%&"%3'145&((