If you are visually impaired or blind, you can visit the PDF version by Pressing CONTROL + ALT + 4
&lt;br /&gt; &lt;br /&gt; ANTIQUE SHOPS&lt;br /&gt; &amp;DESIGNERS&lt;br /&gt; &reg;&lt;br /&gt; &lt;br /&gt; BRINGING THE WORLD OF INTERIOR DESIGN INTO YOUR HOME&lt;br /&gt; &lt;br /&gt; &copy; corbis/comstockAntique Shops&lt;br /&gt; Designers&lt;br /&gt; BRINGING THE WORLD OF INTERIOR DESIGN INTO YOUR HOME&lt;br /&gt; &amp;&lt;br /&gt; &lt;br /&gt; CARL MOORE&lt;br /&gt; CLASSIC STYLE FOR A MODERN AGE&lt;br /&gt; A stunning Art Deco period desk from the town of Hofin Germany c. 1930.&lt;br /&gt; This desk exemplifies the two major ideas of beauty and function integral to the Bauhaus aesthetic.&lt;br /&gt; 67&quot; wx33 'A&quot; dx30 3A&quot; h&lt;br /&gt; shop carlmooreantique\com with online pricing&lt;br /&gt; 1610 BISSONNET STREET, HOUSTON, TEXAS 770o\ ??? PHONE 713.524.2502 ??? RETAIL/TO THE TRADE&lt;br /&gt; &lt;br /&gt; Specializing in 18th and 19th Century French,<a title="AntiqueShops Vol 4 page 1" href="http://viewer.zmags.com/publication/d5d7b13d?page=1">ANTIQUE SHOPS &amp;DESIGNERS </a> ANTIQUE SHOPS &amp;DESIGNERS <a title="AntiqueShops Vol 4 page 2" href="http://viewer.zmags.com/publication/d5d7b13d?page=2">CARL MOORECLASSIC STYLE FOR A MODERN </a> CARL MOORECLASSIC STYLE FOR A MODERN <a title="AntiqueShops Vol 4 page 3" href="http://viewer.zmags.com/publication/d5d7b13d?page=3">Specializing in 18th and 19th Century French, Swe</a> Specializing in 18th and 19th Century French, Swe<a title="AntiqueShops Vol 4 page 4" href="http://viewer.zmags.com/publication/d5d7b13d?page=4">W. G ARDNER,LTD.DIRECT IMPORTER OF EUROPEAN ANT</a> W. G ARDNER,LTD.DIRECT IMPORTER OF EUROPEAN ANT<a title="AntiqueShops Vol 4 page 5" href="http://viewer.zmags.com/publication/d5d7b13d?page=5">CAROL GLASSER Interiors3</a> CAROL GLASSER Interiors3<a title="AntiqueShops Vol 4 page 6" href="http://viewer.zmags.com/publication/d5d7b13d?page=6">CONTENTSGWYNN GRIFFITH&rsquo;S BAROQUE 34An old sh</a> CONTENTSGWYNN GRIFFITH&rsquo;S BAROQUE 34An old sh<a title="AntiqueShops Vol 4 page 7" href="http://viewer.zmags.com/publication/d5d7b13d?page=7">Xo2=)xOHZUJuc^^^^*^H&gt;^????????????.??</a> Xo2=)xOHZUJuc^^^^*^H&gt;^????????????.??<a title="AntiqueShops Vol 4 page 8" href="http://viewer.zmags.com/publication/d5d7b13d?page=8">A pair of antique mirrors serve as backdrop for l</a> A pair of antique mirrors serve as backdrop for l<a title="AntiqueShops Vol 4 page 9" href="http://viewer.zmags.com/publication/d5d7b13d?page=9"> Impossible n'est pas francaise.</a> Impossible n'est pas francaise.<a title="AntiqueShops Vol 4 page 10" href="http://viewer.zmags.com/publication/d5d7b13d?page=10">Ruth Gay's appreciation for scale is seen in one-</a> Ruth Gay's appreciation for scale is seen in one-<a title="AntiqueShops Vol 4 page 11" href="http://viewer.zmags.com/publication/d5d7b13d?page=11">Impossible is a word seldom heard at Chateau Domi</a> Impossible is a word seldom heard at Chateau Domi<a title="AntiqueShops Vol 4 page 12" href="http://viewer.zmags.com/publication/d5d7b13d?page=12">A vast collection of metal architectural elements</a> A vast collection of metal architectural elements<a title="AntiqueShops Vol 4 page 13" href="http://viewer.zmags.com/publication/d5d7b13d?page=13">Just one example of architectural reconstruction </a> Just one example of architectural reconstruction <a title="AntiqueShops Vol 4 page 14" href="http://viewer.zmags.com/publication/d5d7b13d?page=14">A walk through the warehouse reveals beautiful te</a> A walk through the warehouse reveals beautiful te<a title="AntiqueShops Vol 4 page 15" href="http://viewer.zmags.com/publication/d5d7b13d?page=15"> Ruth Gay is owner of Chateau DomingueAntiqu</a> Ruth Gay is owner of Chateau DomingueAntiqu<a title="AntiqueShops Vol 4 page 16" href="http://viewer.zmags.com/publication/d5d7b13d?page=16">ANTIQUES &amp;INTERIORSON D UNLAVY</a> ANTIQUES &amp;INTERIORSON D UNLAVY<a title="AntiqueShops Vol 4 page 17" href="http://viewer.zmags.com/publication/d5d7b13d?page=17">UpholsteryCUSTOM &amp; REPRODUCTION FURNITUREREUPHO</a> UpholsteryCUSTOM &amp; REPRODUCTION FURNITUREREUPHO<a title="AntiqueShops Vol 4 page 18" href="http://viewer.zmags.com/publication/d5d7b13d?page=18">1616</a> 1616<a title="AntiqueShops Vol 4 page 19" href="http://viewer.zmags.com/publication/d5d7b13d?page=19">DESIGN NOTESTHE HEARTOF THE HOMEBy Jane </a> DESIGN NOTESTHE HEARTOF THE HOMEBy Jane <a title="AntiqueShops Vol 4 page 20" href="http://viewer.zmags.com/publication/d5d7b13d?page=20">ANTIQUE SHOPS &amp;DESIGNERS </a> ANTIQUE SHOPS &amp;DESIGNERS <a title="AntiqueShops Vol 4 page 21" href="http://viewer.zmags.com/publication/d5d7b13d?page=21">CarolinEe llsworthANTIQUES AND INTERI</a> CarolinEe llsworthANTIQUES AND INTERI<a title="AntiqueShops Vol 4 page 22" href="http://viewer.zmags.com/publication/d5d7b13d?page=22">BILL ANZALONETEXAS ARTISTBy Nina WickmanW</a> BILL ANZALONETEXAS ARTISTBy Nina WickmanW<a title="AntiqueShops Vol 4 page 23" href="http://viewer.zmags.com/publication/d5d7b13d?page=23">&ldquo;Sunrise&rdquo; by Bill Anzalone'Sunrise&quot; bv Bill Ari</a> &ldquo;Sunrise&rdquo; by Bill Anzalone'Sunrise&quot; bv Bill Ari<a title="AntiqueShops Vol 4 page 24" href="http://viewer.zmags.com/publication/d5d7b13d?page=24">2222</a> 2222<a title="AntiqueShops Vol 4 page 25" href="http://viewer.zmags.com/publication/d5d7b13d?page=25">Bill Anzalone is represented by Meredith Long &amp; C</a> Bill Anzalone is represented by Meredith Long &amp; C<a title="AntiqueShops Vol 4 page 26" href="http://viewer.zmags.com/publication/d5d7b13d?page=26">&ldquo;Pale Sunrise&rdquo; by Bill Anzalone</a> &ldquo;Pale Sunrise&rdquo; by Bill Anzalone<a title="AntiqueShops Vol 4 page 27" href="http://viewer.zmags.com/publication/d5d7b13d?page=27">&ldquo;Moonlighting&rdquo; by Bill Anzalone</a> &ldquo;Moonlighting&rdquo; by Bill Anzalone<a title="AntiqueShops Vol 4 page 28" href="http://viewer.zmags.com/publication/d5d7b13d?page=28">&ldquo;Moonscape&rdquo; by Bill Anzalone26^</a> &ldquo;Moonscape&rdquo; by Bill Anzalone26^<a title="AntiqueShops Vol 4 page 29" href="http://viewer.zmags.com/publication/d5d7b13d?page=29">&ldquo;Louise&rsquo;s Gate Hidden&rdquo; by Bill Anzalone</a> &ldquo;Louise&rsquo;s Gate Hidden&rdquo; by Bill Anzalone<a title="AntiqueShops Vol 4 page 30" href="http://viewer.zmags.com/publication/d5d7b13d?page=30">L.</a> L.<a title="AntiqueShops Vol 4 page 31" href="http://viewer.zmags.com/publication/d5d7b13d?page=31">&ldquo;After Glow&rdquo; by Bill Anzalone&quot;After Glow&quot; by Bill</a> &ldquo;After Glow&rdquo; by Bill Anzalone&quot;After Glow&quot; by Bill<a title="AntiqueShops Vol 4 page 32" href="http://viewer.zmags.com/publication/d5d7b13d?page=32">P UBLISHER&rsquo; S N OTEWorking on this, our fou</a> P UBLISHER&rsquo; S N OTEWorking on this, our fou<a title="AntiqueShops Vol 4 page 33" href="http://viewer.zmags.com/publication/d5d7b13d?page=33">ANTIQUIT&Eacute;S ARCHITECTURALES ET MONUMENTALESHOUSTO</a> ANTIQUIT&Eacute;S ARCHITECTURALES ET MONUMENTALESHOUSTO<a title="AntiqueShops Vol 4 page 34" href="http://viewer.zmags.com/publication/d5d7b13d?page=34">SLOVACK-BASSINTERIOR DESIGN &bull; CUSTOM BUILDER</a> SLOVACK-BASSINTERIOR DESIGN &bull; CUSTOM BUILDER<a title="AntiqueShops Vol 4 page 35" href="http://viewer.zmags.com/publication/d5d7b13d?page=35">713 522ounfor the homedBERGEN ST.DE KALB </a> 713 522ounfor the homedBERGEN ST.DE KALB <a title="AntiqueShops Vol 4 page 36" href="http://viewer.zmags.com/publication/d5d7b13d?page=36"></a> <a title="AntiqueShops Vol 4 page 37" href="http://viewer.zmags.com/publication/d5d7b13d?page=37">Gwynn&rsquo;s collection of chairs ranges in style from</a> Gwynn&rsquo;s collection of chairs ranges in style from<a title="AntiqueShops Vol 4 page 38" href="http://viewer.zmags.com/publication/d5d7b13d?page=38">A rough count of the chairs in GwynnGriffith&rsquo;s p</a> A rough count of the chairs in GwynnGriffith&rsquo;s p<a title="AntiqueShops Vol 4 page 39" href="http://viewer.zmags.com/publication/d5d7b13d?page=39">A restless spirit who is always &ldquo;dragging somethi</a> A restless spirit who is always &ldquo;dragging somethi<a title="AntiqueShops Vol 4 page 40" href="http://viewer.zmags.com/publication/d5d7b13d?page=40">1 ???1 i^ It^ .pi * j^VL^ 1</a> 1 ???1 i^ It^ .pi * j^VL^ 1<a title="AntiqueShops Vol 4 page 41" href="http://viewer.zmags.com/publication/d5d7b13d?page=41">An avid and eccentric collector, Griffith&rsquo;s style</a> An avid and eccentric collector, Griffith&rsquo;s style<a title="AntiqueShops Vol 4 page 42" href="http://viewer.zmags.com/publication/d5d7b13d?page=42">Plaster walls are barely visible behind paintings</a> Plaster walls are barely visible behind paintings<a title="AntiqueShops Vol 4 page 43" href="http://viewer.zmags.com/publication/d5d7b13d?page=43">&ldquo;Like any other great artist - first and foremost</a> &ldquo;Like any other great artist - first and foremost<a title="AntiqueShops Vol 4 page 44" href="http://viewer.zmags.com/publication/d5d7b13d?page=44">Tall ceilings of the once busy factory inspire a </a> Tall ceilings of the once busy factory inspire a <a title="AntiqueShops Vol 4 page 45" href="http://viewer.zmags.com/publication/d5d7b13d?page=45">The warehouse was first a shoe factory, and later</a> The warehouse was first a shoe factory, and later<a title="AntiqueShops Vol 4 page 46" href="http://viewer.zmags.com/publication/d5d7b13d?page=46">The turn-of-the-century brick warehouse, original</a> The turn-of-the-century brick warehouse, original<a title="AntiqueShops Vol 4 page 47" href="http://viewer.zmags.com/publication/d5d7b13d?page=47">Interior Designer Gwynn Griffith</a> Interior Designer Gwynn Griffith<a title="AntiqueShops Vol 4 page 48" href="http://viewer.zmags.com/publication/d5d7b13d?page=48">( }i</a> ( }i<a title="AntiqueShops Vol 4 page 49" href="http://viewer.zmags.com/publication/d5d7b13d?page=49"> 200 Bennett St. N.W. </a> 200 Bennett St. N.W. <a title="AntiqueShops Vol 4 page 50" href="http://viewer.zmags.com/publication/d5d7b13d?page=50">The shallot is easily my favorite mem-ber of the</a> The shallot is easily my favorite mem-ber of the<a title="AntiqueShops Vol 4 page 51" href="http://viewer.zmags.com/publication/d5d7b13d?page=51">Yes, stray from my usual lemon andextra virgin o</a> Yes, stray from my usual lemon andextra virgin o<a title="AntiqueShops Vol 4 page 52" href="http://viewer.zmags.com/publication/d5d7b13d?page=52">&ldquo;Ouisie&rdquo; at home in her kitchen</a> &ldquo;Ouisie&rdquo; at home in her kitchen<a title="AntiqueShops Vol 4 page 53" href="http://viewer.zmags.com/publication/d5d7b13d?page=53">OUISIE&rsquo;S RECIPESRED SNAPPER WITH CARAMELIZED S</a> OUISIE&rsquo;S RECIPESRED SNAPPER WITH CARAMELIZED S<a title="AntiqueShops Vol 4 page 54" href="http://viewer.zmags.com/publication/d5d7b13d?page=54">THE MENU Roasted Red Snapper with Car</a> THE MENU Roasted Red Snapper with Car<a title="AntiqueShops Vol 4 page 55" href="http://viewer.zmags.com/publication/d5d7b13d?page=55">Shallots&ldquo;Easily my favorite of the onion family&rdquo;</a> Shallots&ldquo;Easily my favorite of the onion family&rdquo;<a title="AntiqueShops Vol 4 page 56" href="http://viewer.zmags.com/publication/d5d7b13d?page=56"></a> <a title="AntiqueShops Vol 4 page 57" href="http://viewer.zmags.com/publication/d5d7b13d?page=57"> A Salad of Very Fresh Mixed Field Gree</a> A Salad of Very Fresh Mixed Field Gree<a title="AntiqueShops Vol 4 page 58" href="http://viewer.zmags.com/publication/d5d7b13d?page=58">,I..L.f$L&lt;ari;&lt;</a> ,I..L.f$L&lt;ari;&lt;<a title="AntiqueShops Vol 4 page 59" href="http://viewer.zmags.com/publication/d5d7b13d?page=59">Roasted Red Snapper with Caramelized Shallots </a> Roasted Red Snapper with Caramelized Shallots <a title="AntiqueShops Vol 4 page 60" href="http://viewer.zmags.com/publication/d5d7b13d?page=60">Ouisie&rsquo;s SugarCookies with berries and </a> Ouisie&rsquo;s SugarCookies with berries and <a title="AntiqueShops Vol 4 page 61" href="http://viewer.zmags.com/publication/d5d7b13d?page=61">Ouisie&rsquo;s Sugar Cookies with berries and </a> Ouisie&rsquo;s Sugar Cookies with berries and <a title="AntiqueShops Vol 4 page 62" href="http://viewer.zmags.com/publication/d5d7b13d?page=62">Photos: Exclusive to Antique Shops &amp; Designers fr</a> Photos: Exclusive to Antique Shops &amp; Designers fr<a title="AntiqueShops Vol 4 page 63" href="http://viewer.zmags.com/publication/d5d7b13d?page=63">A FULL LIFE AND THEN SOMEBy Jane</a> A FULL LIFE AND THEN SOMEBy Jane<a title="AntiqueShops Vol 4 page 64" href="http://viewer.zmags.com/publication/d5d7b13d?page=64">8719 Katy Freeway, Houston, TX 77024 713.82</a> 8719 Katy Freeway, Houston, TX 77024 713.82<a title="AntiqueShops Vol 4 page 65" href="http://viewer.zmags.com/publication/d5d7b13d?page=65">5306 Cornish1-10Washingtonvisit our online cat</a> 5306 Cornish1-10Washingtonvisit our online cat<a title="AntiqueShops Vol 4 page 66" href="http://viewer.zmags.com/publication/d5d7b13d?page=66">SOMETHING M !ABOUT ARY B</a> SOMETHING M !ABOUT ARY B<a title="AntiqueShops Vol 4 page 67" href="http://viewer.zmags.com/publication/d5d7b13d?page=67">The house and studio are connected by an open air</a> The house and studio are connected by an open air<a title="AntiqueShops Vol 4 page 68" href="http://viewer.zmags.com/publication/d5d7b13d?page=68">The pavilion&rsquo;s open arched walls is a perfect pla</a> The pavilion&rsquo;s open arched walls is a perfect pla<a title="AntiqueShops Vol 4 page 69" href="http://viewer.zmags.com/publication/d5d7b13d?page=69">You may have seen an attractive blond buzzingabo</a> You may have seen an attractive blond buzzingabo<a title="AntiqueShops Vol 4 page 70" href="http://viewer.zmags.com/publication/d5d7b13d?page=70"></a> <a title="AntiqueShops Vol 4 page 71" href="http://viewer.zmags.com/publication/d5d7b13d?page=71">The kitchen is for cooking and sharing. Open shel</a> The kitchen is for cooking and sharing. Open shel<a title="AntiqueShops Vol 4 page 72" href="http://viewer.zmags.com/publication/d5d7b13d?page=72"></a> <a title="AntiqueShops Vol 4 page 73" href="http://viewer.zmags.com/publication/d5d7b13d?page=73">The house also reflects her philosophy that a few</a> The house also reflects her philosophy that a few<a title="AntiqueShops Vol 4 page 74" href="http://viewer.zmags.com/publication/d5d7b13d?page=74"></a> <a title="AntiqueShops Vol 4 page 75" href="http://viewer.zmags.com/publication/d5d7b13d?page=75">Comfortable slip-covered linen furniture fills th</a> Comfortable slip-covered linen furniture fills th<a title="AntiqueShops Vol 4 page 76" href="http://viewer.zmags.com/publication/d5d7b13d?page=76">The house also reflects her philosophy that afew</a> The house also reflects her philosophy that afew<a title="AntiqueShops Vol 4 page 77" href="http://viewer.zmags.com/publication/d5d7b13d?page=77">White walls and a beamed ceiling add drama to th</a> White walls and a beamed ceiling add drama to th<a title="AntiqueShops Vol 4 page 78" href="http://viewer.zmags.com/publication/d5d7b13d?page=78">The Fabulous Flea, open four times a year for unl</a> The Fabulous Flea, open four times a year for unl<a title="AntiqueShops Vol 4 page 79" href="http://viewer.zmags.com/publication/d5d7b13d?page=79">Mary Daly is owner of The Fabulous Flea. </a> Mary Daly is owner of The Fabulous Flea. <a title="AntiqueShops Vol 4 page 80" href="http://viewer.zmags.com/publication/d5d7b13d?page=80">Home StagingTwo Designers </a> Home StagingTwo Designers <a title="AntiqueShops Vol 4 page 81" href="http://viewer.zmags.com/publication/d5d7b13d?page=81">DALLAS - MARBLE FALLWWW.THEMEWS.COM</a> DALLAS - MARBLE FALLWWW.THEMEWS.COM<a title="AntiqueShops Vol 4 page 82" href="http://viewer.zmags.com/publication/d5d7b13d?page=82">GreenisNot Just aby Leslie Sinclair </a> GreenisNot Just aby Leslie Sinclair <a title="AntiqueShops Vol 4 page 83" href="http://viewer.zmags.com/publication/d5d7b13d?page=83">ColorViim:i*zc&gt;-n . . II &amp;T</a> ColorViim:i*zc&gt;-n . . II &amp;T<a title="AntiqueShops Vol 4 page 84" href="http://viewer.zmags.com/publication/d5d7b13d?page=84">Antica CollectionDirect Importerof Fine</a> Antica CollectionDirect Importerof Fine<a title="AntiqueShops Vol 4 page 85" href="http://viewer.zmags.com/publication/d5d7b13d?page=85">FESTONILighting, Custom Furnishings, Reproductio</a> FESTONILighting, Custom Furnishings, Reproductio<a title="AntiqueShops Vol 4 page 86" href="http://viewer.zmags.com/publication/d5d7b13d?page=86">TARGETEDTHINKINGNavigating through the cha</a> TARGETEDTHINKINGNavigating through the cha<a title="AntiqueShops Vol 4 page 87" href="http://viewer.zmags.com/publication/d5d7b13d?page=87">BY GEOFFREY WESTERGAARDHowever, for good or</a> BY GEOFFREY WESTERGAARDHowever, for good or<a title="AntiqueShops Vol 4 page 88" href="http://viewer.zmags.com/publication/d5d7b13d?page=88">FINISHESFINE PLA</a> FINISHESFINE PLA<a title="AntiqueShops Vol 4 page 89" href="http://viewer.zmags.com/publication/d5d7b13d?page=89">%TM&gt;ji; ,.i Jtt 1 ??? 1JH9VOTED</a> %TM&gt;ji; ,.i Jtt 1 ??? 1JH9VOTED<a title="AntiqueShops Vol 4 page 90" href="http://viewer.zmags.com/publication/d5d7b13d?page=90">LIVING ON TWO LEVELS: ELOUISE ADAMS JO</a> LIVING ON TWO LEVELS: ELOUISE ADAMS JO<a title="AntiqueShops Vol 4 page 91" href="http://viewer.zmags.com/publication/d5d7b13d?page=91">STORY BY JONI WEBBHave you ever taken an un</a> STORY BY JONI WEBBHave you ever taken an un<a title="AntiqueShops Vol 4 page 92" href="http://viewer.zmags.com/publication/d5d7b13d?page=92">The newly installed second kitchen is a laborator</a> The newly installed second kitchen is a laborator<a title="AntiqueShops Vol 4 page 93" href="http://viewer.zmags.com/publication/d5d7b13d?page=93">*&gt;^,Mm</a> *&gt;^,Mm<a title="AntiqueShops Vol 4 page 94" href="http://viewer.zmags.com/publication/d5d7b13d?page=94">92???.92</a> 92???.92<a title="AntiqueShops Vol 4 page 95" href="http://viewer.zmags.com/publication/d5d7b13d?page=95">The upstairs dining area is filled with art and f</a> The upstairs dining area is filled with art and f<a title="AntiqueShops Vol 4 page 96" href="http://viewer.zmags.com/publication/d5d7b13d?page=96">The restaurant was an immediate suc-cess. To th</a> The restaurant was an immediate suc-cess. To th<a title="AntiqueShops Vol 4 page 97" href="http://viewer.zmags.com/publication/d5d7b13d?page=97">L ife was good for Elouise, she finallyhad the r</a> L ife was good for Elouise, she finallyhad the r<a title="AntiqueShops Vol 4 page 98" href="http://viewer.zmags.com/publication/d5d7b13d?page=98"></a> <a title="AntiqueShops Vol 4 page 99" href="http://viewer.zmags.com/publication/d5d7b13d?page=99">The vaulted upstairs level consists of a large li</a> The vaulted upstairs level consists of a large li<a title="AntiqueShops Vol 4 page 100" href="http://viewer.zmags.com/publication/d5d7b13d?page=100">JAMES FARMERCUSTOM PAINTED FINISHES</a> JAMES FARMERCUSTOM PAINTED FINISHES<a title="AntiqueShops Vol 4 page 101" href="http://viewer.zmags.com/publication/d5d7b13d?page=101">JON GREENasid713.524.5363WWWINDIGOINTERIORDESIG</a> JON GREENasid713.524.5363WWWINDIGOINTERIORDESIG<a title="AntiqueShops Vol 4 page 102" href="http://viewer.zmags.com/publication/d5d7b13d?page=102">R </a> R <a title="AntiqueShops Vol 4 page 103" href="http://viewer.zmags.com/publication/d5d7b13d?page=103">Rienzi, Entry Hall Photo: &copy; Hester + Hardaway</a> Rienzi, Entry Hall Photo: &copy; Hester + Hardaway<a title="AntiqueShops Vol 4 page 104" href="http://viewer.zmags.com/publication/d5d7b13d?page=104">??&lt;^^PECK &amp; COMPANYMETALSMITHSCUSTOM DESIGN &amp;</a> ??&lt;^^PECK &amp; COMPANYMETALSMITHSCUSTOM DESIGN &amp;<a title="AntiqueShops Vol 4 page 105" href="http://viewer.zmags.com/publication/d5d7b13d?page=105">Landscaping and Design, Inc.Landscape Architects</a> Landscaping and Design, Inc.Landscape Architects<a title="AntiqueShops Vol 4 page 106" href="http://viewer.zmags.com/publication/d5d7b13d?page=106">by Michel GiraudPassionate about Art Deco, </a> by Michel GiraudPassionate about Art Deco, <a title="AntiqueShops Vol 4 page 107" href="http://viewer.zmags.com/publication/d5d7b13d?page=107">View of the Galerie Michel Giraud fa&ccedil;ade, 2009, P</a> View of the Galerie Michel Giraud fa&ccedil;ade, 2009, P<a title="AntiqueShops Vol 4 page 108" href="http://viewer.zmags.com/publication/d5d7b13d?page=108">The Alfred Janniot exhibition at the Galerie Mich</a> The Alfred Janniot exhibition at the Galerie Mich<a title="AntiqueShops Vol 4 page 109" href="http://viewer.zmags.com/publication/d5d7b13d?page=109"></a> <a title="AntiqueShops Vol 4 page 110" href="http://viewer.zmags.com/publication/d5d7b13d?page=110">(1889 - 1969)Famous but more recognized by arti</a> (1889 - 1969)Famous but more recognized by arti<a title="AntiqueShops Vol 4 page 111" href="http://viewer.zmags.com/publication/d5d7b13d?page=111">Alfred Janniot, Europe, 1955, bronze, Height 17 </a> Alfred Janniot, Europe, 1955, bronze, Height 17 <a title="AntiqueShops Vol 4 page 112" href="http://viewer.zmags.com/publication/d5d7b13d?page=112">Alfred Janniot, C&eacute;cile&rsquo;s Torso, Circa : 1927-29,</a> Alfred Janniot, C&eacute;cile&rsquo;s Torso, Circa : 1927-29,<a title="AntiqueShops Vol 4 page 113" href="http://viewer.zmags.com/publication/d5d7b13d?page=113">Alfred Janniot, Head of the right nymph of the Ho</a> Alfred Janniot, Head of the right nymph of the Ho<a title="AntiqueShops Vol 4 page 114" href="http://viewer.zmags.com/publication/d5d7b13d?page=114">Alfred Janniot, Erato, Circa : 1943-44,original </a> Alfred Janniot, Erato, Circa : 1943-44,original <a title="AntiqueShops Vol 4 page 115" href="http://viewer.zmags.com/publication/d5d7b13d?page=115">In 1934 Janniot was honored by the New York Rocke</a> In 1934 Janniot was honored by the New York Rocke<a title="AntiqueShops Vol 4 page 116" href="http://viewer.zmags.com/publication/d5d7b13d?page=116">Redefining Fine Furniture Repurposed hardwoods </a> Redefining Fine Furniture Repurposed hardwoods <a title="AntiqueShops Vol 4 page 117" href="http://viewer.zmags.com/publication/d5d7b13d?page=117">CATHY MCCLEERY BAUGUSS DESIGNS </a> CATHY MCCLEERY BAUGUSS DESIGNS <a title="AntiqueShops Vol 4 page 118" href="http://viewer.zmags.com/publication/d5d7b13d?page=118">WITH LANDSCAPE ARCHITECTSBy A.J. Benys</a> WITH LANDSCAPE ARCHITECTSBy A.J. Benys<a title="AntiqueShops Vol 4 page 119" href="http://viewer.zmags.com/publication/d5d7b13d?page=119">The term landscape architecture was first used by</a> The term landscape architecture was first used by<a title="AntiqueShops Vol 4 page 120" href="http://viewer.zmags.com/publication/d5d7b13d?page=120"></a> <a title="AntiqueShops Vol 4 page 121" href="http://viewer.zmags.com/publication/d5d7b13d?page=121">MARBURGER </a> MARBURGER <a title="AntiqueShops Vol 4 page 122" href="http://viewer.zmags.com/publication/d5d7b13d?page=122">A family business, Simpson Galleries is located a</a> A family business, Simpson Galleries is located a<a title="AntiqueShops Vol 4 page 123" href="http://viewer.zmags.com/publication/d5d7b13d?page=123">By Rocky FranzenThe year was 1962 when Wil</a> By Rocky FranzenThe year was 1962 when Wil<a title="AntiqueShops Vol 4 page 124" href="http://viewer.zmags.com/publication/d5d7b13d?page=124">Landscape, hardscape how do we escapefrom </a> Landscape, hardscape how do we escapefrom <a title="AntiqueShops Vol 4 page 125" href="http://viewer.zmags.com/publication/d5d7b13d?page=125">A-Arrow has for decades created awardwinnin</a> A-Arrow has for decades created awardwinnin<a title="AntiqueShops Vol 4 page 126" href="http://viewer.zmags.com/publication/d5d7b13d?page=126"></a> <a title="AntiqueShops Vol 4 page 127" href="http://viewer.zmags.com/publication/d5d7b13d?page=127">AROAD LINED WITH TEAK, Sometimes the roa</a> AROAD LINED WITH TEAK, Sometimes the roa<a title="AntiqueShops Vol 4 page 128" href="http://viewer.zmags.com/publication/d5d7b13d?page=128">GALLERIES OPENINGSEPTEMBER </a> GALLERIES OPENINGSEPTEMBER <a title="AntiqueShops Vol 4 page 129" href="http://viewer.zmags.com/publication/d5d7b13d?page=129">SIMPSON&rsquo;SHOUSTON&rsquo;S OLDEST FINE ARTS AUCTIONEERS</a> SIMPSON&rsquo;SHOUSTON&rsquo;S OLDEST FINE ARTS AUCTIONEERS<a title="AntiqueShops Vol 4 page 130" href="http://viewer.zmags.com/publication/d5d7b13d?page=130">A PASSION FORRESTORATIONBy Lori Johnson</a> A PASSION FORRESTORATIONBy Lori Johnson<a title="AntiqueShops Vol 4 page 131" href="http://viewer.zmags.com/publication/d5d7b13d?page=131"> Imagine growing up with a passion for</a> Imagine growing up with a passion for<a title="AntiqueShops Vol 4 page 132" href="http://viewer.zmags.com/publication/d5d7b13d?page=132">Dot Dimiero &amp; Dana Aichlerand their Collective A</a> Dot Dimiero &amp; Dana Aichlerand their Collective A<a title="AntiqueShops Vol 4 page 133" href="http://viewer.zmags.com/publication/d5d7b13d?page=133"> DANAAICHLERANTIQUE TEXTILE PILLOWS</a> DANAAICHLERANTIQUE TEXTILE PILLOWS<a title="AntiqueShops Vol 4 page 134" href="http://viewer.zmags.com/publication/d5d7b13d?page=134">eAntiquing is here!eANTIQUING.comTHE ULTIMATE </a> eAntiquing is here!eANTIQUING.comTHE ULTIMATE <a title="AntiqueShops Vol 4 page 135" href="http://viewer.zmags.com/publication/d5d7b13d?page=135">Bloomsbury Design713 254-3458INTERIO</a> Bloomsbury Design713 254-3458INTERIO<a title="AntiqueShops Vol 4 page 136" href="http://viewer.zmags.com/publication/d5d7b13d?page=136"> TO CLUTTEROR NOT TO CLUTTER</a> TO CLUTTEROR NOT TO CLUTTER<a title="AntiqueShops Vol 4 page 137" href="http://viewer.zmags.com/publication/d5d7b13d?page=137">I am no minimalist and never will be. The more c</a> I am no minimalist and never will be. The more c<a title="AntiqueShops Vol 4 page 138" href="http://viewer.zmags.com/publication/d5d7b13d?page=138">Antique Shops &amp; Designersmagazine is now Free on</a> Antique Shops &amp; Designersmagazine is now Free on<a title="AntiqueShops Vol 4 page 139" href="http://viewer.zmags.com/publication/d5d7b13d?page=139">HOUSTON&rsquo;S TREASURE HOUSESBayou Bend and Rienzi</a> HOUSTON&rsquo;S TREASURE HOUSESBayou Bend and Rienzi<a title="AntiqueShops Vol 4 page 140" href="http://viewer.zmags.com/publication/d5d7b13d?page=140">HMo.mR 1 E S???4m???lias???</a> HMo.mR 1 E S???4m???lias???