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<br /> The Art<br /> of the Horse<br /> 31<br /> 2<br /> 3<br /> 4<br /> <br /> Department<br /> Specialist Enquiries<br /> American Paintings<br /> Elizabeth Sterling<br /> esterling@christies.com<br /> Peter Kloman<br /> pkloman@christies.com<br /> Antiquities<br /> Max Bernheimer<br /> mbernheimer@christies.com<br /> Ludovic Marock<br /> lmarock@christies.com<br /> Asian Contemporary Art<br /> Zineng Wang<br /> zwang@christies.com<br /> Jeanne Cooper<br /> jcooper@christies.com<br /> Books<br /> Kay Sutton<br /> ksutton@christies.com<br /> Eugenio Donadoni<br /> edonadoni@christies.com<br /> Chinese Paintings<br /> Ben Kong<br /> bkong@christies.com<br /> Kim Yu<br /> kyu@christies.com<br /> Chinese Works of Art<br /> Pola Antebi<br /> pantebi@christies.com<br /> Impressionist<br /> and Modern Art<br /> Liberte Nuti<br /> lnuti@christies.com<br /> Adrien Meyer<br /> ameyer@christies.com<br /> Jewellery<br /> Julien Brunie<br /> j<a title="CKS1234_Art page 1" href="http://viewer.zmags.com/publication/e1e5c238?page=1"> The Art of the Horse 31</a> <a title="CKS1234_Art page 2" href="http://viewer.zmags.com/publication/e1e5c238?page=2"> 2</a> <a title="CKS1234_Art page 3" href="http://viewer.zmags.com/publication/e1e5c238?page=3"> 3</a> <a title="CKS1234_Art page 4" href="http://viewer.zmags.com/publication/e1e5c238?page=4"> 4</a> <a title="CKS1234_Art page 5" href="http://viewer.zmags.com/publication/e1e5c238?page=5"> </a> <a title="CKS1234_Art page 6" href="http://viewer.zmags.com/publication/e1e5c238?page=6"> Department Specialist Enquiries American Paintin</a> <a title="CKS1234_Art page 7" href="http://viewer.zmags.com/publication/e1e5c238?page=7"> Lead Specialists John Stainton jstainton@christie</a> <a title="CKS1234_Art page 8" href="http://viewer.zmags.com/publication/e1e5c238?page=8"> 8</a> <a title="CKS1234_Art page 9" href="http://viewer.zmags.com/publication/e1e5c238?page=9"> Contents 13 Preface 15 For the</a> <a title="CKS1234_Art page 10" href="http://viewer.zmags.com/publication/e1e5c238?page=10"> 10</a> <a title="CKS1234_Art page 11" href="http://viewer.zmags.com/publication/e1e5c238?page=11"> 11</a> <a title="CKS1234_Art page 12" href="http://viewer.zmags.com/publication/e1e5c238?page=12"> ‘...as a symbol of power, as an image used in myt</a> <a title="CKS1234_Art page 13" href="http://viewer.zmags.com/publication/e1e5c238?page=13"> Preface It is with great pleasure that </a> <a title="CKS1234_Art page 14" href="http://viewer.zmags.com/publication/e1e5c238?page=14"> ‘A horse, a horse, my kingdom for</a> <a title="CKS1234_Art page 15" href="http://viewer.zmags.com/publication/e1e5c238?page=15"> For the Love of the Horse Bonnie E. Engel </a> <a title="CKS1234_Art page 16" href="http://viewer.zmags.com/publication/e1e5c238?page=16"> Early history ‘Horses became integral to human</a> <a title="CKS1234_Art page 17" href="http://viewer.zmags.com/publication/e1e5c238?page=17"> 17</a> <a title="CKS1234_Art page 18" href="http://viewer.zmags.com/publication/e1e5c238?page=18"> Rock painting of a bull and horses, circa 17000 B</a> <a title="CKS1234_Art page 19" href="http://viewer.zmags.com/publication/e1e5c238?page=19"> Horses and War ‘It is easy to conquer the world</a> <a title="CKS1234_Art page 20" href="http://viewer.zmags.com/publication/e1e5c238?page=20"> The Standard of Ur, From Ur, southern Iraq, circa</a> <a title="CKS1234_Art page 21" href="http://viewer.zmags.com/publication/e1e5c238?page=21"> 21</a> <a title="CKS1234_Art page 22" href="http://viewer.zmags.com/publication/e1e5c238?page=22"> The battle of Panipat British Library, London, UK</a> <a title="CKS1234_Art page 23" href="http://viewer.zmags.com/publication/e1e5c238?page=23"> Detail of the Bayeux tapestry showing the knights</a> <a title="CKS1234_Art page 24" href="http://viewer.zmags.com/publication/e1e5c238?page=24"> 24</a> <a title="CKS1234_Art page 25" href="http://viewer.zmags.com/publication/e1e5c238?page=25"> Lady Butler (Elizabeth Southerden Thompson) (1846</a> <a title="CKS1234_Art page 26" href="http://viewer.zmags.com/publication/e1e5c238?page=26"> Titian (Tiziano Vecellio) (circa 1488–1576) The E</a> <a title="CKS1234_Art page 27" href="http://viewer.zmags.com/publication/e1e5c238?page=27"> Napoleon (1769–1821) Crossing the Alps at the St </a> <a title="CKS1234_Art page 28" href="http://viewer.zmags.com/publication/e1e5c238?page=28"> Horses in the Americas ‘Horses completely chan</a> <a title="CKS1234_Art page 29" href="http://viewer.zmags.com/publication/e1e5c238?page=29"> 29</a> <a title="CKS1234_Art page 30" href="http://viewer.zmags.com/publication/e1e5c238?page=30"> 30</a> <a title="CKS1234_Art page 31" href="http://viewer.zmags.com/publication/e1e5c238?page=31"> Horses for Sport and Pleasure ‘... outstanding</a> <a title="CKS1234_Art page 32" href="http://viewer.zmags.com/publication/e1e5c238?page=32"> Racing ‘Racing was an inspiration for Roman</a> <a title="CKS1234_Art page 33" href="http://viewer.zmags.com/publication/e1e5c238?page=33"> 33</a> <a title="CKS1234_Art page 34" href="http://viewer.zmags.com/publication/e1e5c238?page=34"> In addition to flat racing, other races include s</a> <a title="CKS1234_Art page 35" href="http://viewer.zmags.com/publication/e1e5c238?page=35"> Degas, Edgar (1834-1917): The False Start, circa </a> <a title="CKS1234_Art page 36" href="http://viewer.zmags.com/publication/e1e5c238?page=36"> 36</a> <a title="CKS1234_Art page 37" href="http://viewer.zmags.com/publication/e1e5c238?page=37"> Hunting ‘A number of artists were employ</a> <a title="CKS1234_Art page 38" href="http://viewer.zmags.com/publication/e1e5c238?page=38"> Polo ‘It is known in the East as the </a> <a title="CKS1234_Art page 39" href="http://viewer.zmags.com/publication/e1e5c238?page=39"> 39</a> <a title="CKS1234_Art page 40" href="http://viewer.zmags.com/publication/e1e5c238?page=40"> 40</a> <a title="CKS1234_Art page 41" href="http://viewer.zmags.com/publication/e1e5c238?page=41"> ‘Thirty thousand years ago our ancest</a> <a title="CKS1234_Art page 42" href="http://viewer.zmags.com/publication/e1e5c238?page=42"> 42</a> <a title="CKS1234_Art page 43" href="http://viewer.zmags.com/publication/e1e5c238?page=43"> Works in the exhibition </a> <a title="CKS1234_Art page 44" href="http://viewer.zmags.com/publication/e1e5c238?page=44"> ‘Sparrow’s child out of the way, out </a> <a title="CKS1234_Art page 45" href="http://viewer.zmags.com/publication/e1e5c238?page=45"> Spirit 45</a> <a title="CKS1234_Art page 46" href="http://viewer.zmags.com/publication/e1e5c238?page=46"> Edgar Degas Horse rearing During his ar</a> <a title="CKS1234_Art page 47" href="http://viewer.zmags.com/publication/e1e5c238?page=47"> 47</a> <a title="CKS1234_Art page 48" href="http://viewer.zmags.com/publication/e1e5c238?page=48"> painting or drawing, but to give my paintings and</a> <a title="CKS1234_Art page 49" href="http://viewer.zmags.com/publication/e1e5c238?page=49"> animal that a feeling of life is conveyed, one ha</a> <a title="CKS1234_Art page 50" href="http://viewer.zmags.com/publication/e1e5c238?page=50"> EDGAR DEGAS (FRENCH, 1834–1917) Horse rearing st</a> <a title="CKS1234_Art page 51" href="http://viewer.zmags.com/publication/e1e5c238?page=51"> 51</a> <a title="CKS1234_Art page 52" href="http://viewer.zmags.com/publication/e1e5c238?page=52"> Giovanni Domenico Tiepolo A saddled horse, in</a> <a title="CKS1234_Art page 53" href="http://viewer.zmags.com/publication/e1e5c238?page=53"> 53</a> <a title="CKS1234_Art page 54" href="http://viewer.zmags.com/publication/e1e5c238?page=54"> 54</a> <a title="CKS1234_Art page 55" href="http://viewer.zmags.com/publication/e1e5c238?page=55"> In the case of horses, however, Tiepolo certainly</a> <a title="CKS1234_Art page 56" href="http://viewer.zmags.com/publication/e1e5c238?page=56"> Tim Flach Unico Shaking, May 2006 Tim F</a> <a title="CKS1234_Art page 57" href="http://viewer.zmags.com/publication/e1e5c238?page=57"> 57</a> <a title="CKS1234_Art page 58" href="http://viewer.zmags.com/publication/e1e5c238?page=58"> 58</a> <a title="CKS1234_Art page 59" href="http://viewer.zmags.com/publication/e1e5c238?page=59"> in an image and thus what it might signify to the</a> <a title="CKS1234_Art page 60" href="http://viewer.zmags.com/publication/e1e5c238?page=60"> Park Sung-Tae Horses ‘Through Park Sung</a> <a title="CKS1234_Art page 61" href="http://viewer.zmags.com/publication/e1e5c238?page=61"> 61</a> <a title="CKS1234_Art page 62" href="http://viewer.zmags.com/publication/e1e5c238?page=62"> 62</a> <a title="CKS1234_Art page 63" href="http://viewer.zmags.com/publication/e1e5c238?page=63"> PARK SUNG-TAE (KOREAN, B. 1960) Horses signed in</a> <a title="CKS1234_Art page 64" href="http://viewer.zmags.com/publication/e1e5c238?page=64"> Fig. 1. Sir Alfred Munnings in his studio. </a> <a title="CKS1234_Art page 65" href="http://viewer.zmags.com/publication/e1e5c238?page=65"> Sir Alfred James Munnings Sir Alfred</a> <a title="CKS1234_Art page 66" href="http://viewer.zmags.com/publication/e1e5c238?page=66"> Sir Alfred James Munnings Forest scene: Man and g</a> <a title="CKS1234_Art page 67" href="http://viewer.zmags.com/publication/e1e5c238?page=67"> 67</a> <a title="CKS1234_Art page 68" href="http://viewer.zmags.com/publication/e1e5c238?page=68"> 68</a> <a title="CKS1234_Art page 69" href="http://viewer.zmags.com/publication/e1e5c238?page=69"> companies as to which had the best-conditioned te</a> <a title="CKS1234_Art page 70" href="http://viewer.zmags.com/publication/e1e5c238?page=70"> John Wootton Setting Out for the Chase, Huntsmen </a> <a title="CKS1234_Art page 71" href="http://viewer.zmags.com/publication/e1e5c238?page=71"> 71</a> <a title="CKS1234_Art page 72" href="http://viewer.zmags.com/publication/e1e5c238?page=72"> 72</a> <a title="CKS1234_Art page 73" href="http://viewer.zmags.com/publication/e1e5c238?page=73"> The present work was probably commissioned by Geo</a> <a title="CKS1234_Art page 74" href="http://viewer.zmags.com/publication/e1e5c238?page=74"> Frederic Remington Hole in the Day Fred</a> <a title="CKS1234_Art page 75" href="http://viewer.zmags.com/publication/e1e5c238?page=75"> 75</a> <a title="CKS1234_Art page 76" href="http://viewer.zmags.com/publication/e1e5c238?page=76"> ‘Remington regarded the horse as</a> <a title="CKS1234_Art page 77" href="http://viewer.zmags.com/publication/e1e5c238?page=77"> Indian, the horses and the cattle of the plains, </a> <a title="CKS1234_Art page 78" href="http://viewer.zmags.com/publication/e1e5c238?page=78"> 78</a> <a title="CKS1234_Art page 79" href="http://viewer.zmags.com/publication/e1e5c238?page=79"> Richard Prince Untitled (Cowboy) The im</a> <a title="CKS1234_Art page 80" href="http://viewer.zmags.com/publication/e1e5c238?page=80"> After eliminating any text, Prince does little to</a> <a title="CKS1234_Art page 81" href="http://viewer.zmags.com/publication/e1e5c238?page=81"> ‘The cowboy is also the most sacred and mas</a> <a title="CKS1234_Art page 82" href="http://viewer.zmags.com/publication/e1e5c238?page=82"> ‘The horses’ lively attitude, and the rid</a> <a title="CKS1234_Art page 83" href="http://viewer.zmags.com/publication/e1e5c238?page=83"> Two Canosan terracotta horses and riders </a> <a title="CKS1234_Art page 84" href="http://viewer.zmags.com/publication/e1e5c238?page=84"> Barthélémy Prieur King Henry IV on horseback </a> <a title="CKS1234_Art page 85" href="http://viewer.zmags.com/publication/e1e5c238?page=85"> 85</a> <a title="CKS1234_Art page 86" href="http://viewer.zmags.com/publication/e1e5c238?page=86"> 86</a> <a title="CKS1234_Art page 87" href="http://viewer.zmags.com/publication/e1e5c238?page=87"> pragmatism to help bring an end to the fighting i</a> <a title="CKS1234_Art page 88" href="http://viewer.zmags.com/publication/e1e5c238?page=88"> A celadon jade horse head-hilted dagger </a> <a title="CKS1234_Art page 89" href="http://viewer.zmags.com/publication/e1e5c238?page=89"> ‘The beauty of Mughal jade captivated the Qi</a> <a title="CKS1234_Art page 90" href="http://viewer.zmags.com/publication/e1e5c238?page=90"> ‘So did this horse excel a common on</a> <a title="CKS1234_Art page 91" href="http://viewer.zmags.com/publication/e1e5c238?page=91"> Grace 91</a> <a title="CKS1234_Art page 92" href="http://viewer.zmags.com/publication/e1e5c238?page=92"> A very rare Imperial white jade hor</a> <a title="CKS1234_Art page 93" href="http://viewer.zmags.com/publication/e1e5c238?page=93"> 93</a> <a title="CKS1234_Art page 94" href="http://viewer.zmags.com/publication/e1e5c238?page=94"> 94</a> <a title="CKS1234_Art page 95" href="http://viewer.zmags.com/publication/e1e5c238?page=95"> ‘The Mughal style of embellishment is seen on</a> <a title="CKS1234_Art page 96" href="http://viewer.zmags.com/publication/e1e5c238?page=96"> Fernando Botero Horse with Bridle Over </a> <a title="CKS1234_Art page 97" href="http://viewer.zmags.com/publication/e1e5c238?page=97"> 97</a> <a title="CKS1234_Art page 98" href="http://viewer.zmags.com/publication/e1e5c238?page=98"> 98</a> <a title="CKS1234_Art page 99" href="http://viewer.zmags.com/publication/e1e5c238?page=99"> FERNANDO BOTERO (COLOMBIAN, B. 1932) Horse with B</a> <a title="CKS1234_Art page 100" href="http://viewer.zmags.com/publication/e1e5c238?page=100"> James Ward A Favourite Hunter of Lord Maynard </a> <a title="CKS1234_Art page 101" href="http://viewer.zmags.com/publication/e1e5c238?page=101"> 101</a> <a title="CKS1234_Art page 102" href="http://viewer.zmags.com/publication/e1e5c238?page=102"> 102</a> <a title="CKS1234_Art page 103" href="http://viewer.zmags.com/publication/e1e5c238?page=103"> JAMES WARD, R.A. (BRITISH, 1769–1859) A Favourite</a> <a title="CKS1234_Art page 104" href="http://viewer.zmags.com/publication/e1e5c238?page=104"> Théodore Géricault Study of ride</a> <a title="CKS1234_Art page 105" href="http://viewer.zmags.com/publication/e1e5c238?page=105"> 105</a> <a title="CKS1234_Art page 106" href="http://viewer.zmags.com/publication/e1e5c238?page=106"> 106</a> <a title="CKS1234_Art page 107" href="http://viewer.zmags.com/publication/e1e5c238?page=107"> posthumous studio sale (Paris, 2–3 November 1842,</a> <a title="CKS1234_Art page 108" href="http://viewer.zmags.com/publication/e1e5c238?page=108"> JEAN LOUIS ANDRE THEODORE GERICAULT (FRENCH, 1791</a> <a title="CKS1234_Art page 109" href="http://viewer.zmags.com/publication/e1e5c238?page=109"> (recto) </a> <a title="CKS1234_Art page 110" href="http://viewer.zmags.com/publication/e1e5c238?page=110"> TIM FLACH (BRITISH, B.1958) Horse Mountain, Novem</a> <a title="CKS1234_Art page 111" href="http://viewer.zmags.com/publication/e1e5c238?page=111"> Tim Flach Horse Mountain, November 2001 T</a> <a title="CKS1234_Art page 112" href="http://viewer.zmags.com/publication/e1e5c238?page=112"> Xu Beihong Horses Drinking Xu Beihong (</a> <a title="CKS1234_Art page 113" href="http://viewer.zmags.com/publication/e1e5c238?page=113"> 113</a> <a title="CKS1234_Art page 114" href="http://viewer.zmags.com/publication/e1e5c238?page=114"> ‘...a metaphor to indicate that even in a safe e</a> <a title="CKS1234_Art page 115" href="http://viewer.zmags.com/publication/e1e5c238?page=115"> 115</a> <a title="CKS1234_Art page 116" href="http://viewer.zmags.com/publication/e1e5c238?page=116"> Marino Marini Piccolo cavallo Born in T</a> <a title="CKS1234_Art page 117" href="http://viewer.zmags.com/publication/e1e5c238?page=117"> 117</a> <a title="CKS1234_Art page 118" href="http://viewer.zmags.com/publication/e1e5c238?page=118"> 118</a> <a title="CKS1234_Art page 119" href="http://viewer.zmags.com/publication/e1e5c238?page=119"> as a humble, moving study of a horse. In all its </a> <a title="CKS1234_Art page 120" href="http://viewer.zmags.com/publication/e1e5c238?page=120"> John Frederick Herring The Start of the Goodwood </a> <a title="CKS1234_Art page 121" href="http://viewer.zmags.com/publication/e1e5c238?page=121"> 121</a> <a title="CKS1234_Art page 122" href="http://viewer.zmags.com/publication/e1e5c238?page=122"> 122</a> <a title="CKS1234_Art page 123" href="http://viewer.zmags.com/publication/e1e5c238?page=123"> a record 3,500 guineas and exported to Virginia b</a> <a title="CKS1234_Art page 124" href="http://viewer.zmags.com/publication/e1e5c238?page=124"> JOHN FREDERICK HERRING, SEN. (BRITISH, 1795–1865)</a> <a title="CKS1234_Art page 125" href="http://viewer.zmags.com/publication/e1e5c238?page=125"> ‘Many of his sporting paintings, depicted import</a> <a title="CKS1234_Art page 126" href="http://viewer.zmags.com/publication/e1e5c238?page=126"> 126</a> <a title="CKS1234_Art page 127" href="http://viewer.zmags.com/publication/e1e5c238?page=127"> Attributed to Ferdinando Tacca A model of a pacin</a> <a title="CKS1234_Art page 128" href="http://viewer.zmags.com/publication/e1e5c238?page=128"> minute details such as the straining of the muscl</a> <a title="CKS1234_Art page 129" href="http://viewer.zmags.com/publication/e1e5c238?page=129"> 129</a> <a title="CKS1234_Art page 130" href="http://viewer.zmags.com/publication/e1e5c238?page=130"> 130</a> <a title="CKS1234_Art page 131" href="http://viewer.zmags.com/publication/e1e5c238?page=131"> Ma Jin Fine Horse The Yijing (《易經》, The Bo</a> <a title="CKS1234_Art page 132" href="http://viewer.zmags.com/publication/e1e5c238?page=132"> observed hair. It is notable that Ma Jin also app</a> <a title="CKS1234_Art page 133" href="http://viewer.zmags.com/publication/e1e5c238?page=133"> 133</a> <a title="CKS1234_Art page 134" href="http://viewer.zmags.com/publication/e1e5c238?page=134"> 134</a> <a title="CKS1234_Art page 135" href="http://viewer.zmags.com/publication/e1e5c238?page=135"> Francesco Fanelli A model of a leaping horse </a> <a title="CKS1234_Art page 136" href="http://viewer.zmags.com/publication/e1e5c238?page=136"> FRANCESCO FANELLI (ITALIAN 1590–1653) A model of </a> <a title="CKS1234_Art page 137" href="http://viewer.zmags.com/publication/e1e5c238?page=137"> 137</a> <a title="CKS1234_Art page 138" href="http://viewer.zmags.com/publication/e1e5c238?page=138"> ‘The coursers fly; The smoking chari</a> <a title="CKS1234_Art page 139" href="http://viewer.zmags.com/publication/e1e5c238?page=139"> Power 139</a> <a title="CKS1234_Art page 140" href="http://viewer.zmags.com/publication/e1e5c238?page=140"> 140</a> <a title="CKS1234_Art page 141" href="http://viewer.zmags.com/publication/e1e5c238?page=141"> Sir Alfred James Munnings The Start Hor</a> <a title="CKS1234_Art page 142" href="http://viewer.zmags.com/publication/e1e5c238?page=142"> influence may be seen not only in the choice of s</a> <a title="CKS1234_Art page 143" href="http://viewer.zmags.com/publication/e1e5c238?page=143"> Horses remained a life-long interest for Munnings</a> <a title="CKS1234_Art page 144" href="http://viewer.zmags.com/publication/e1e5c238?page=144"> 144</a> <a title="CKS1234_Art page 145" href="http://viewer.zmags.com/publication/e1e5c238?page=145"> A pair of painted pottery figures of </a> <a title="CKS1234_Art page 146" href="http://viewer.zmags.com/publication/e1e5c238?page=146"> It is unusual to find a pair of prancing horses a</a> <a title="CKS1234_Art page 147" href="http://viewer.zmags.com/publication/e1e5c238?page=147"> 147</a> <a title="CKS1234_Art page 148" href="http://viewer.zmags.com/publication/e1e5c238?page=148"> 148</a> <a title="CKS1234_Art page 149" href="http://viewer.zmags.com/publication/e1e5c238?page=149"> An Attic black-figured amphora The he</a> <a title="CKS1234_Art page 150" href="http://viewer.zmags.com/publication/e1e5c238?page=150"> ‘The nude horsemen ... may represe</a> <a title="CKS1234_Art page 151" href="http://viewer.zmags.com/publication/e1e5c238?page=151"> 151</a> <a title="CKS1234_Art page 152" href="http://viewer.zmags.com/publication/e1e5c238?page=152"> A LARGE ROMAN MARBLE MOSAIC PANEL, CIRCA 2ND–4TH </a> <a title="CKS1234_Art page 153" href="http://viewer.zmags.com/publication/e1e5c238?page=153"> A large Roman marble mosaic panel </a> <a title="CKS1234_Art page 154" href="http://viewer.zmags.com/publication/e1e5c238?page=154"> An Ottoman gilt copper (tombak) chamfron </a> <a title="CKS1234_Art page 155" href="http://viewer.zmags.com/publication/e1e5c238?page=155"> 155</a> <a title="CKS1234_Art page 156" href="http://viewer.zmags.com/publication/e1e5c238?page=156"> 156</a> <a title="CKS1234_Art page 157" href="http://viewer.zmags.com/publication/e1e5c238?page=157"> ‘The rich, lustrous pieces were creat</a> <a title="CKS1234_Art page 158" href="http://viewer.zmags.com/publication/e1e5c238?page=158"> Olivier de la Marche Le chevalier délibéré </a> <a title="CKS1234_Art page 159" href="http://viewer.zmags.com/publication/e1e5c238?page=159"> 159</a> <a title="CKS1234_Art page 160" href="http://viewer.zmags.com/publication/e1e5c238?page=160"> 160</a> <a title="CKS1234_Art page 161" href="http://viewer.zmags.com/publication/e1e5c238?page=161"> This careful approach was probably required by a </a> <a title="CKS1234_Art page 162" href="http://viewer.zmags.com/publication/e1e5c238?page=162"> OLIVIER DE LA MARCHE (BURGUNDIAN, CIRCA 1422–1502</a> <a title="CKS1234_Art page 163" href="http://viewer.zmags.com/publication/e1e5c238?page=163"> 163</a> <a title="CKS1234_Art page 164" href="http://viewer.zmags.com/publication/e1e5c238?page=164"> 164</a> <a title="CKS1234_Art page 165" href="http://viewer.zmags.com/publication/e1e5c238?page=165"> An important and extremely rare tix</a> <a title="CKS1234_Art page 166" href="http://viewer.zmags.com/publication/e1e5c238?page=166"> AN IMPORTANT AND EXTREMELY RARE TIXI LACQUER SADD</a> <a title="CKS1234_Art page 167" href="http://viewer.zmags.com/publication/e1e5c238?page=167"> 167</a> <a title="CKS1234_Art page 168" href="http://viewer.zmags.com/publication/e1e5c238?page=168"> 168</a> <a title="CKS1234_Art page 169" href="http://viewer.zmags.com/publication/e1e5c238?page=169"> An Indian pearl, ruby and diamond ornament </a> <a title="CKS1234_Art page 170" href="http://viewer.zmags.com/publication/e1e5c238?page=170"> ‘An illustration of Shah Jahan, the fifth ruler o</a> <a title="CKS1234_Art page 171" href="http://viewer.zmags.com/publication/e1e5c238?page=171"> AN INDIAN PEARL, RUBY AND DIAMOND ORNAMENT, CIRCA</a> <a title="CKS1234_Art page 172" href="http://viewer.zmags.com/publication/e1e5c238?page=172"> Frants Roubaud A Tale of the Caucasus U</a> <a title="CKS1234_Art page 173" href="http://viewer.zmags.com/publication/e1e5c238?page=173"> 173</a> <a title="CKS1234_Art page 174" href="http://viewer.zmags.com/publication/e1e5c238?page=174"> Russia and her extensive territories provided Rou</a> <a title="CKS1234_Art page 175" href="http://viewer.zmags.com/publication/e1e5c238?page=175"> A Tale of the Caucasus depicts a Russian soldier </a> <a title="CKS1234_Art page 176" href="http://viewer.zmags.com/publication/e1e5c238?page=176"> Edgar Degas Horse with Jockey; Horse Galloping, </a> <a title="CKS1234_Art page 177" href="http://viewer.zmags.com/publication/e1e5c238?page=177"> 177</a> <a title="CKS1234_Art page 178" href="http://viewer.zmags.com/publication/e1e5c238?page=178"> 178</a> <a title="CKS1234_Art page 179" href="http://viewer.zmags.com/publication/e1e5c238?page=179"> EDGAR DEGAS (FRENCH, 1834–1917) Horse with Jockey</a> <a title="CKS1234_Art page 180" href="http://viewer.zmags.com/publication/e1e5c238?page=180"> Edgar Degas Horse with Jockey;</a> <a title="CKS1234_Art page 181" href="http://viewer.zmags.com/publication/e1e5c238?page=181"> 181</a> <a title="CKS1234_Art page 182" href="http://viewer.zmags.com/publication/e1e5c238?page=182"> 182</a> <a title="CKS1234_Art page 183" href="http://viewer.zmags.com/publication/e1e5c238?page=183"> EDGAR DEGAS (FRENCH, 1834–1917) Horse with Jockey</a> <a title="CKS1234_Art page 184" href="http://viewer.zmags.com/publication/e1e5c238?page=184"> ‘Where in this wide world can man find nobility w</a> <a title="CKS1234_Art page 185" href="http://viewer.zmags.com/publication/e1e5c238?page=185"> Nobility 185</a> <a title="CKS1234_Art page 186" href="http://viewer.zmags.com/publication/e1e5c238?page=186"> George Stubbs A grey horse in a landscape </a> <a title="CKS1234_Art page 187" href="http://viewer.zmags.com/publication/e1e5c238?page=187"> 187</a> <a title="CKS1234_Art page 188" href="http://viewer.zmags.com/publication/e1e5c238?page=188"> ‘...Stubbs abolished the conventional accessories</a> <a title="CKS1234_Art page 189" href="http://viewer.zmags.com/publication/e1e5c238?page=189"> Stubbs moved to London in 1758 or early 1759, and</a> <a title="CKS1234_Art page 190" href="http://viewer.zmags.com/publication/e1e5c238?page=190"> Chris Levine Frankel Pop Icon, 2013 Chr</a> <a title="CKS1234_Art page 191" href="http://viewer.zmags.com/publication/e1e5c238?page=191"> 191</a> <a title="CKS1234_Art page 192" href="http://viewer.zmags.com/publication/e1e5c238?page=192"> 192</a> <a title="CKS1234_Art page 193" href="http://viewer.zmags.com/publication/e1e5c238?page=193"> breath-taking exploits on the track secured his p</a> <a title="CKS1234_Art page 194" href="http://viewer.zmags.com/publication/e1e5c238?page=194"> Sir Alfred James Munnings Devereux Milburn on ‘Ga</a> <a title="CKS1234_Art page 195" href="http://viewer.zmags.com/publication/e1e5c238?page=195"> 195</a> <a title="CKS1234_Art page 196" href="http://viewer.zmags.com/publication/e1e5c238?page=196"> 196</a> <a title="CKS1234_Art page 197" href="http://viewer.zmags.com/publication/e1e5c238?page=197"> manner’ (H. Laffaye, Polo in Argentina: A History</a> <a title="CKS1234_Art page 198" href="http://viewer.zmags.com/publication/e1e5c238?page=198"> 198</a> <a title="CKS1234_Art page 199" href="http://viewer.zmags.com/publication/e1e5c238?page=199"> Long Island so that the members of the American p</a> <a title="CKS1234_Art page 200" href="http://viewer.zmags.com/publication/e1e5c238?page=200"> James Seymour Sedbury with two Grooms S</a> <a title="CKS1234_Art page 201" href="http://viewer.zmags.com/publication/e1e5c238?page=201"> JAMES SEYMOUR (BRITISH,CIRCA 1702–1752) Sedbury w</a> <a title="CKS1234_Art page 202" href="http://viewer.zmags.com/publication/e1e5c238?page=202"> ‘The Qing dynasty was a nation built on riding</a> <a title="CKS1234_Art page 203" href="http://viewer.zmags.com/publication/e1e5c238?page=203"> A gilt-metal mounted wood saddle </a> <a title="CKS1234_Art page 204" href="http://viewer.zmags.com/publication/e1e5c238?page=204"> Andy Warhol Willie Shoemaker Warhol’s P</a> <a title="CKS1234_Art page 205" href="http://viewer.zmags.com/publication/e1e5c238?page=205"> © 2014 The Andy Warhol Foundation for the Visual </a> <a title="CKS1234_Art page 206" href="http://viewer.zmags.com/publication/e1e5c238?page=206"> 206</a> <a title="CKS1234_Art page 207" href="http://viewer.zmags.com/publication/e1e5c238?page=207"> Kees Van Dongen Champ de courses à Mandelieu (Alp</a> <a title="CKS1234_Art page 208" href="http://viewer.zmags.com/publication/e1e5c238?page=208"> Chevalier de la Légion d’honneur, thus receiving </a> <a title="CKS1234_Art page 209" href="http://viewer.zmags.com/publication/e1e5c238?page=209"> 209</a> <a title="CKS1234_Art page 210" href="http://viewer.zmags.com/publication/e1e5c238?page=210"> Isidore-Jules Bonheur Le Grand Jockey B</a> <a title="CKS1234_Art page 211" href="http://viewer.zmags.com/publication/e1e5c238?page=211"> ISIDORE–JULES BONHEUR (FRENCH, 1827–1901) Le Gran</a> <a title="CKS1234_Art page 212" href="http://viewer.zmags.com/publication/e1e5c238?page=212"> 212</a> <a title="CKS1234_Art page 213" href="http://viewer.zmags.com/publication/e1e5c238?page=213"> Fernando Botero Picador Growing up in M</a> <a title="CKS1234_Art page 214" href="http://viewer.zmags.com/publication/e1e5c238?page=214"> The picador is the silent hero of the corrida. Mo</a> <a title="CKS1234_Art page 215" href="http://viewer.zmags.com/publication/e1e5c238?page=215"> 215</a> <a title="CKS1234_Art page 216" href="http://viewer.zmags.com/publication/e1e5c238?page=216"> 216</a> <a title="CKS1234_Art page 217" href="http://viewer.zmags.com/publication/e1e5c238?page=217"> Attributed to Mukhlis Grooms shoeing a horse </a> <a title="CKS1234_Art page 218" href="http://viewer.zmags.com/publication/e1e5c238?page=218"> blue examples found on a painting Songhur Balkhi </a> <a title="CKS1234_Art page 219" href="http://viewer.zmags.com/publication/e1e5c238?page=219"> ATTRIBUTED TO MUKHLIS, MUGHAL INDIA, CIRCA 1585–9</a> <a title="CKS1234_Art page 220" href="http://viewer.zmags.com/publication/e1e5c238?page=220"> 220</a> <a title="CKS1234_Art page 221" href="http://viewer.zmags.com/publication/e1e5c238?page=221"> Théodore Géricault A traveller and his horse with</a> <a title="CKS1234_Art page 222" href="http://viewer.zmags.com/publication/e1e5c238?page=222"> the painting was well received by a paying public</a> <a title="CKS1234_Art page 223" href="http://viewer.zmags.com/publication/e1e5c238?page=223"> His training was deeply rooted in the academic tr</a> <a title="CKS1234_Art page 224" href="http://viewer.zmags.com/publication/e1e5c238?page=224"> MA JIN (CHINESE, 1900–1970) Resting beside a Runn</a> <a title="CKS1234_Art page 225" href="http://viewer.zmags.com/publication/e1e5c238?page=225"> Ma Jin Resting beside a running stream </a> <a title="CKS1234_Art page 226" href="http://viewer.zmags.com/publication/e1e5c238?page=226"> ‘When I bestride him, I soar, I am a hawk</a> <a title="CKS1234_Art page 227" href="http://viewer.zmags.com/publication/e1e5c238?page=227"> Myth 227</a> <a title="CKS1234_Art page 228" href="http://viewer.zmags.com/publication/e1e5c238?page=228"> Ronald Ventura Conquest; and Escape 2 O</a> <a title="CKS1234_Art page 229" href="http://viewer.zmags.com/publication/e1e5c238?page=229"> 229</a> <a title="CKS1234_Art page 230" href="http://viewer.zmags.com/publication/e1e5c238?page=230"> 230</a> <a title="CKS1234_Art page 231" href="http://viewer.zmags.com/publication/e1e5c238?page=231"> are intrinsically very much part of each other, a</a> <a title="CKS1234_Art page 232" href="http://viewer.zmags.com/publication/e1e5c238?page=232"> RONALD VENTURA (FILIPINO, B.1973) Conquest; and E</a> <a title="CKS1234_Art page 233" href="http://viewer.zmags.com/publication/e1e5c238?page=233"> 233</a> <a title="CKS1234_Art page 234" href="http://viewer.zmags.com/publication/e1e5c238?page=234"> 234</a> <a title="CKS1234_Art page 235" href="http://viewer.zmags.com/publication/e1e5c238?page=235"> An Attic red-figured kylix In antiqui</a> <a title="CKS1234_Art page 236" href="http://viewer.zmags.com/publication/e1e5c238?page=236"> ‘The Greeks revered the horse for its beauty, s</a> <a title="CKS1234_Art page 237" href="http://viewer.zmags.com/publication/e1e5c238?page=237"> AN ATTIC RED-FIGURED KYLIX ATTRIBUTED TO THE WORK</a> <a title="CKS1234_Art page 238" href="http://viewer.zmags.com/publication/e1e5c238?page=238"> 238</a> <a title="CKS1234_Art page 239" href="http://viewer.zmags.com/publication/e1e5c238?page=239"> Odilon Redon La danse du centaure Odilo</a> <a title="CKS1234_Art page 240" href="http://viewer.zmags.com/publication/e1e5c238?page=240"> Painted in 1910, La danse du centaure is a festiv</a> <a title="CKS1234_Art page 241" href="http://viewer.zmags.com/publication/e1e5c238?page=241"> 241</a> <a title="CKS1234_Art page 242" href="http://viewer.zmags.com/publication/e1e5c238?page=242"> 242</a> <a title="CKS1234_Art page 243" href="http://viewer.zmags.com/publication/e1e5c238?page=243"> Marino Marini Piccolo miracolo Horses a</a> <a title="CKS1234_Art page 244" href="http://viewer.zmags.com/publication/e1e5c238?page=244"> ‘Little by little, my horses become more restless</a> <a title="CKS1234_Art page 245" href="http://viewer.zmags.com/publication/e1e5c238?page=245"> 245</a> <a title="CKS1234_Art page 246" href="http://viewer.zmags.com/publication/e1e5c238?page=246"> 246</a> <a title="CKS1234_Art page 247" href="http://viewer.zmags.com/publication/e1e5c238?page=247"> William Turnbull Horse II When I make h</a> <a title="CKS1234_Art page 248" href="http://viewer.zmags.com/publication/e1e5c238?page=248"> The Tate Gallery in London held a major retrospec</a> <a title="CKS1234_Art page 249" href="http://viewer.zmags.com/publication/e1e5c238?page=249"> 249</a> <a title="CKS1234_Art page 250" href="http://viewer.zmags.com/publication/e1e5c238?page=250"> © 2014 The Andy Warhol Foundation for the Visual </a> <a title="CKS1234_Art page 251" href="http://viewer.zmags.com/publication/e1e5c238?page=251"> Andy Warhol Mongolian Wild Horse ‘Warhol</a> <a title="CKS1234_Art page 252" href="http://viewer.zmags.com/publication/e1e5c238?page=252"> A Roman marble horse head from a r</a> <a title="CKS1234_Art page 253" href="http://viewer.zmags.com/publication/e1e5c238?page=253"> ‘The myth of Endymion, when the moon goddess S</a> <a title="CKS1234_Art page 254" href="http://viewer.zmags.com/publication/e1e5c238?page=254"> 254</a> <a title="CKS1234_Art page 255" href="http://viewer.zmags.com/publication/e1e5c238?page=255"> Nic Fiddian Green Still Water On a visi</a> <a title="CKS1234_Art page 256" href="http://viewer.zmags.com/publication/e1e5c238?page=256"> Inspired by antiquity, Fiddian Green’s work is ne</a> <a title="CKS1234_Art page 257" href="http://viewer.zmags.com/publication/e1e5c238?page=257"> 257</a> <a title="CKS1234_Art page 258" href="http://viewer.zmags.com/publication/e1e5c238?page=258"> 258</a> <a title="CKS1234_Art page 259" href="http://viewer.zmags.com/publication/e1e5c238?page=259"> Chris Levine Frankel Superstar, 2013 Se</a> <a title="CKS1234_Art page 260" href="http://viewer.zmags.com/publication/e1e5c238?page=260"> A WHITE JADE CARVING OF A MYTHICAL HORSE, LONGMA </a> <a title="CKS1234_Art page 261" href="http://viewer.zmags.com/publication/e1e5c238?page=261"> A white jade carving of a mythical horse, Longm</a> <a title="CKS1234_Art page 262" href="http://viewer.zmags.com/publication/e1e5c238?page=262"> Vik Muniz Seahorse (Scrap Metal), 2012 </a> <a title="CKS1234_Art page 263" href="http://viewer.zmags.com/publication/e1e5c238?page=263"> VIK MUNIZ (BRAZILIAN, B. 1961) Seahorse (Scrap Me</a> <a title="CKS1234_Art page 264" href="http://viewer.zmags.com/publication/e1e5c238?page=264"> Credits CHRISTIE’S CREATIVE STUDIO, LONDON Crea</a> <a title="CKS1234_Art page 265" href="http://viewer.zmags.com/publication/e1e5c238?page=265"> Attic black-figured amphora 147 Attic red-figured</a> <a title="CKS1234_Art page 266" href="http://viewer.zmags.com/publication/e1e5c238?page=266"> 266</a> <a title="CKS1234_Art page 267" href="http://viewer.zmags.com/publication/e1e5c238?page=267"> 267</a> <a title="CKS1234_Art page 268" href="http://viewer.zmags.com/publication/e1e5c238?page=268"> ‘… I establish thee as one of the Glories of th</a>